|Vintage Pulp||Feb 23 2020|
Fine, one last story. There once was an army of biting ants and they ate your husband's ballsack. Can we go back to the car now?
Fawcett Publications kept illustrator Barye Phillips mighty busy with its Gold Medal line, and here his work is yet again, on the cover of John D. MacDonald's 1952 thriller The Damned. The creekside setting doesn't actually capture the mood of the book, but it's a very nice, ominously serene piece of art. Beyond the cover readers will encounter MacDonald wrestling with what we considered to be a very literary concept. An automobile ferry develops various issues, leaving a long line of cars stuck at a Mexican river crossing most of a day and all of a night. Except for the few people who had driven there together, none know each other, but on that desolate roadside they interact in life-changing ways, ranging from budding love to betrayal to abandonment to sudden death. With more than a dozen stories interwoven, none are truly resolved, but most characters end up pointed toward destinies that can be guessed. As we've mentioned before, the farther you go back into MacDonald's bibliography the less didactic he tends to be. The Damned is his fifth novel, and its freshness of concept speaks to a writer spreading his wings and reveling in the purity of creative flight. This is the MacDonald we think newcomers to his work will enjoy most.