|Vintage Pulp||May 13 2019|
The cover tries to shift the blame, but Sweet and Deadly is man-on-man mayhem at its most basic.
The cover of Sweet and Deadly is pulp style, thanks to Zenith Books' 1959 rebranding of Philip MacDonald and A. Boyd Correll's 1948 novel The Dark Wheel, but this is actually more a melodrama than a true pulp style novel. And there's no femme fatale, as implied by the title. What you get here is a tangled web woven by men in love, women with ambition, and an homme fatale who has a serious mental problem.
To detail it a bit more, when a rich man's actress wife dies, he begins habitually attending the play in which she starred, so that he can observe and obsess over her replacement. Not healthy. The new actress has a psychosomatically paralyzed husband who she thinks will be cured if his brilliant new play is produced. So, not knowing anything about her rich secret admirer, she's steered in his direction looking for financial backing, and unwittingly sets into motion his plan to murder her husband and take his place.
However you categorize this one, it was good, if a bit contrived in reaching its climax. Set in the rarefied world of New York City's performing arts community, with characters that are all actors, playwrights, producers, and such, it felt fresh compared to the career criminals that often populate the books we read. Perhaps its most serious flaw—one we always hate—is that its cover art is uncredited.