They could not resist when they saw little Nikki grind.
Back to an actual Japanese poster today, with this promo for the roman porno movie OL nikki: Waisetsuna kankei, aka Office Lady Journal: Indecent Relations, which is about two female co-workers who totally shred company rules against fraternization. Is that even the right word when it's two women? Maybe we should go with consorting. Neither is named Nikki, by the way, though we have to thank Prince for the assist there. They're actually named Mina and Aki. Nikki means “diary” or “journal.” This is yet more output from Nikkatsu Studios, more edgy weirdness from Junko Miyashita and Akemi Nijô, and another plot way too complicated to summarize. But even if we did would it matter? By now you know whether this is your thing. Decide accordingly. OL nikki: Waisetsuna kankei premiered in Japan today in 1975.
At this rate we're both going to end up getting an F. And not one that stands for anything good.
We never went to summer school. We just weren't bad enough students for that but now we see it may have had its good points, as seen on this cover for Tony Calvano's, aka Thomas P. Ramirez's Summer Lust, about students in summer session who can't keep their minds on their work. Greenleaf Classics could turn even the most obscure scenarios into sleaze, so you know something as obvious as summer school basically wrote itself. It's copyright 1965, with cover art by an unknown.
First you scheme, then you lie, then you seduce.
Usually it was Japanese distributors that made amazing new versions of Western posters, but today it's happened in reverse. L'amaro giardino di Lesbo was originally made in Japan and called Utsukushisa to kanashimi to, which translates as “with beauty and sorrow.” It was based on a 1964 novel by Nobel-winning author Yasunari Kawabata, and stars Kaoru Yachigusa, So Yamamura, and the beautiful Mariko Kaga, whose likeness fronts the promo art. We watched it and the story is basically that two lovers lose their baby via miscarriage and split up because of it. The man, whose name is Toshio, gets over it and moves on with life, but his ex, Otoko, is deeply traumatized.
Years later the two meet again. Toshio is married and has a son. Otoko has a female partner named Keiko, and when Keiko meets the man who is intimately connected to her lover's tragedy, she decides to seduce him, have his baby, and give it to Otoko. Yeah. Pretty out there, but Japanese filmmakers specialize in these kinds of crazy ruminations. Does Keiko succeed in her plan? Well, male resistance is never high, but when a woman says things like, “Don't touch my right breast because that one's not for you,” even the horniest man will get weirded out. We won't tell you more, except that the movie is decently made and effective. It premiered in Japan in 1965 and reached Italy today in 1969.
This is going to hurt you considerably more than it's going to hurt me.
Some years ago one of us bought a bullwhip. The opportunity was there to acquire a twelve foot version and be taught to use it by someone who made his living by wielding them at medieval fairs, so we leapt at the chance. As you may know, the crack comes from part of the whip breaking the sound barrier. It seemed like a cool idea to sew a piece of piano wire onto the end, which made the whip capable of gouging chunks out of trees. Generally, it only worked for five or six strikes before the wire tore loose from the tip, but it seemed like good, clean, twenty-something stupid-fun.
Whip Hand reminded us that bullwhips are no joking matter. Preferred instrument of torture for slave owners of the American south, they become central to the narrative of W. Franklin Sanders', aka Charles Willeford's Texas-based thriller when a character has his face flayed to pieces by an angry whip master. It's a brutal and bloody sequence in an uncompromising book constructed around a multi-p.o.v. first person narrative, each participant telling their own part, with not all of them managing to survive until the end.
The thrust of the story involves a kidnapping-turned-murder, a theft of the ransom money, and a chase to recover the stolen cash. The whip is never used by any of the female characters as suggested by the cover, but when it comes to paperbacks from the mid-century period you have to expect a bit of hyperbole. In this case the art is by the always brilliant Bob Abbett. Even without whip wielding femmes fatales, overall we liked Whip Hand. It's often barely realistic and isn't brilliantly written, but it's the type of tale that will get your attention and keep it. You can see some more whip themed paperback covers here.
I know you were expecting a trio, but that third chick was too freaky even for us.
We don't know why only two women appear on the cover of Three Strange Women. Sleaze author extraordinaire Orrie Hitt occupies the Kay Addams pseudonym for a story of underwear models, nudie photos, dirty movies, and the always popular lesbian evil. There's Norma, Gail, Susan, and a male love interest, and as our subhead hints, one of the women does end up too freaky for polite society and finds herself in the legal system being sentenced for violent crimes. We have several efforts from Hitt we'll discuss in more detail later. This one is from 1964 with cover art by unknown.
Mmm... rack of lamb with garlic and rosemary, right?
Golden Lust actually sounds more like a Chinese restaurant than a French one, but since this paperback came from France Books we had to go French with both our header and our menu item. Remember to brush after meals so all your kisses are minty fresh. Author Adam Coulter was the name behind sleaze efforts like Big Mama, Lesbian Captive, Rape of Eden, and Couch of Desire, which we highlighted a while back. We say name behind because Coulter was a pseudonym, used in this case by James T. Smith. Golden Lust is copyright 1962, with cover art by unknown.
Maybe I should have listened to my parents and stayed in community college.
Above, a nice James Avati cover for Nightmare Alley by William Lindsay Gresham, copyright 1949. The hardback of this came out in 1946, and it was adapted to the big screen in 1947 with Tyrone Power in the lead role, so this art reflects the movie, which is why the cover femme looks like and is dressed like co-star Colleen Gray. This is one of many mid-century novels set in and around carnivals, and it's one of the better ones, we think. The film version adheres reasonably close to Gresham's original vision. We talked about it several years ago, so check here if you're interested. We've also talked about several other carnival books over the years and now we have an idea to put together a cover collection along those lines. We'll have to see if there are any examples left to find. But in the meantime you can see what we've already collected here, here, here, and here.
Despite my reputation the odds are very much against you.
Above is a cover for 50-50 Girl by Thomas Stone for Chicago's Merit Books, published in 1952. The title refers not to the odds of getting the lead character in bed, but the fact that she's forced to share her favors with two men. It isn't a consensual agreement, technically, because she gives herself to man number two—a rich playboy—as the price of freeing her sister from her former manager, an amoral hustler named Eddie. The author Thomas Stone was actually none other than Florence Stonebraker, the brain behind more than eighty novels. Which is quite a feat, considering she didn't get published until she was forty-one. We have plenty from her in the website but our favorite is this one.
What does the cover have to do with the story? Virtually nothing.
We showed you a 1955 Avon Publications cover for Charlotte Jay's award winning thriller Beat Not the Bones, and above you see an alternate cover from Avon that came in 1966. We don't remember the main character ever being tied to a tree, and we're sure she certainly never wore the sexy rag you see here, but those are the vagaries of good girl art. Both the 1955 cover and this one depict scenes that didn't happen in the story, but the earlier version is a but more true to the spirit of Jay's tale, where the above goes for pure titillation. We love them both. This one is by the always excellent Ron Lesser, and his original painting appears below. |
The headlines that mattered yesteryear.
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle
commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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