I felt so lonely and unappreciated I was going to jump. But then people started screaming, “Take it off! Take it off!”
It's been a while, so here's a cover from sleaze icon Darrel Millsap for Hoke Jackson's 1968 Candid Reader sleaze novel Along the Ledge to Lust. Jackson also wrote The Lecherous Age, Swappers in Heat, and Marriage for Four. He was not a person, though, but rather a pseudonym inhabited by various writers, so we don't know who really authored this, and we have a funny feeling they prefer it that way. More from Millsap here and here.
Single fatherhood can be a real challenge.
Below is a collection of Japanese posters for the amazingly entertaining film series Kozure Ōkami, aka Lone Wolf and Cub, starring Tomisaburô Wakayama as a warrior who has to single-handedly care for his child as legions of assassins try to murder him. More info below.
Two posters for Kozure Ōkami: Kowokashi udekashi tsukamatsuru, aka Lone Wolf and Cub: Sword of Vengeance.
Two posters for Kozure Ōkami: Sanzu no kawa no ubaguruma, aka Lone Wolf and Cub: Baby Cart at the River Styx.
Kozure Ōkami: Shinikazeni mukau ubaguruma, aka Lone Wolf and Cub: Baby Cart to Hades.
This is the only poster we don't have the panel length for: Kozure Ōkami: Oya no kokoro ko no kokoro, aka Lone Wolf and Cub: Baby Cart in Peril. To complete the collection we snagged this image off the internet.
Kozure Ōkami: Meifumado, aka Lone Wolf and Cub: Baby Cart in the Land of Demons.
Kozure Ōkami: Jigoku e ikuzo! Daigoro, aka Lone Wolf and Cub: White Heaven in Hell.
There's one more movie, 1980's Kozure Ōkami, aka Shogun Assassin, mainly put together using footage from the previous films, none of which had really been seen in the West to that point. Shogun Assassin, though not properly part of the series, is easy to find and as a one-off it's fine and entertaining, but we recommend you do yourself a favor and watch the canonical films.
That famous southern hospitality must happen in some other part of the south.
Charles Williams' 1954 thriller Go Home, Stranger doesn't take place entirely at sea like fun efforts such as Dead Calm and Aground, but it does have an aquatic focus, with much of the action taking place in swamps and bayous along the Gulf Coast, as lead character Pete Reno tries to prove to the yokel police force that his famous actress sister didn't murder her husband. Though the cops aren't much help he finds an ally who doubles as a love interest. The Gulf feel is strong, the story is interesting, and the writing is typically solid, but this is not Williams at his best. Relegating the sister—who has the most at stake—to a mainly off-the-page role possibly saps the story of urgency. But of course middling Williams surpasses many thriller authors' best work. The cover art is by Barye Phillips, and its dark and moody nature illustrates the prose nicely. The copyright on this Gold Medal edition is 1963.
Okay, he's taken the bait. We'll let him get close, then you distract him by puking on his coat, and I'll take him down.
City Streets was written by Gene Harvey, aka Jack Hanley, who we last saw authoring 1942's Leg Artist. Harvey was a literary vet who authored such memorable lite-sleaze epics as She Couldn't Be Good, A Girl Called Joy, and Stag Stripper. City Streets is from 1954 and apparently his various publishers liked it so much they issued it four times—Venus Books put it out in 1950 as Cutie, Exotic Novels released it as Passion's Slave the same year in an illustrated format, Original Novels published it as what you see above, and finally Star Novels published it, also as City Streets, in 1955. These companies were closely related, but that's still a lot of mileage from one book. It explores the trials and tribulations of beautiful young Dru, “a bad girl of the slums,” who's gotten her education from the school of hard knocks—i.e. from Chicago's south side. The cover art on this is by Rafael DeSoto, who cleverly hid his signature in the gutter. It's a really beautiful effort from him, certainly one of his best. We've featured him often, so just click his keywords below if you want to see more.
That wasn't you panting? Oh... Does that mean I don't excite you?
A. B. Cunningham wrote more than twenty mysteries starring small town sheriff Jess Roden, with Death Haunts the Dark Lane coming fourteenth. An heiress is murdered and the sheriff has to sniff out the killer—literally making use of tracking dogs, which is why you see a hound in Robert Stanley's cover art. The series was popular at the time, but isn't that fondly remembered today. But this Dell mapback edition from 1948, like all the company's mapbacks, is highly collectible.
I believe in you, and I'm not alone. On the radio they said you could win if the champ slips in your blood and knocks himself out falling.
Mort Kunstler mainly painted for men's adventure magazines, but he did the occasional paperback cover and you see his work above on Kate Nickerson's 1953 boxing drama Ringside Jezebel. The title tells you everything you need to know. A femme fatale gangster's moll orbiting the professional boxing scene insinuates her way into the lives of promoters and fighters, bringing ruin to them all. But inevitably she meets a contender and plays the same game with him only to realize—after trapping him into throwing his biggest fight—that maybe she actually likes him. Having him in the first place was never an issue. It's winning him back that looks to be the problem. Classic boxing potboiler from Nickerson, née Lulla Adler, author of other memorable efforts such as Street of the Blues, Love Takes the Count, and Passion Is a Woman.
Fine. Explain. But don't turn around. I hate your face so much right now I might shoot it on general principle.
Above, a cover for Erle Stanley Gardner's The Case of the Haunted Husband, eighteenth in the acclaimed Perry Mason series, from Pocket Books. Generally considered one of the best Mason mysteries, this one tells the story of a female hitchhiker who accepts a ride from a guy who gets a little too handsy, leading to a multi-car crack-up. The woman awakens behind the wheel, with the driver nowhere to be seen, and a fatality in one of the other cars. The cops don't believe she wasn't the driver, so they arrest her and charge her with negligent homicide. Things get worse when the car turns out to be stolen, and suddenly she's on the hook for that too. Enter Perry Mason. Nothing is haunted in this book, but the mystery is a winner. We also were reminded how effective short chapters can be in drawing a reader into a story. The hardback of The Case of the Haunted Husband appeared in 1941, and the above paperback with Bernard Safran art followed in 1949.
Tallman takes readers on a wild trip to Mexico.
Colorado born writer Robert Tallman achieved his first true recognition from 1947 to 1949 writing the weekly radio program The Adventures of Sam Spade. He went to Acapulco on vacation, ended up staying a year, and that idyll inspired his first novel, 1950's Adios O'Shaughnessy, about a collection of bizarre characters who've fetched up in a fictional Mexican town called Pollo Sabroso. Besides the title character, there's the raven haired beauty Gloria Blackman (described as a blonde in the rear cover blurb either by mistake or for marketing purposes), the young Mexican hunk Manuel Mendoza, and a black child named Miguelito who wanders the town—for reasons we can't discern—naked. It's the precocious Miguelito who provides the title of the book when he notices O'Shaughnessy looks like Robert Donat in Goodbye, Mr. Chips.
The plot of the book is barely discernible, but partly involves a fishing boat and the various characters who covet it. Some want to fish in it, while others have more political aims that ultimately lead to deadly violence. The book worked for us not because of its plot, but because of its depiction of gringos cast adrift in Latin America. Despite the serious subject matter, Tallman's writing is ornate and often lighthearted. For example: “Ramirez, acquainted with the eellike elusiveness of this class of quarry, grabbed him by the most convenient handle, the baggy seat of his pants. There was an ominous sound of ripping fabric, and the disaster resulting was such that the poor witness, in all modesty, could not now walk upon the streets.”
Here's another nifty passage that gives an even better sense of Tallman's style: “Had a goddess leaped forth from the limpid, luminous swells, he would not have been altogether astonished. What did leap forth was much more unlikely. A slim, small-breasted woman with a face like an ecstatic mask, legs as long as a fashion drawing, and with the graceful bather's especial gift of emerging from the water without seeming
wet: this is what he saw before he realized it was Ella Praline, stark naked, running up the beach pursued by a naked boy who resembled a faun in more ways than one
.” Pretty cool, that whole sequence, though it ends rather weirdly for poor Ella.
In fact the whole novel is weird, and while it takes its time coming together, it eventually reveals itself to be good entertainment for those who don't mind fiction that's more influenced by Graham Greene than by Dashiell Hammett. Also, it spoke to us on a personal level because, like Tallman, we threw caution to the wind and moved abroad—to Guatemala not Mexico. Tallman
captures the drinking, the fighting, the skinny dipping, the random stupidity, the constant undercurrent of danger, the earthquakes and volcanic eruptions, the beautiful women who pass through for days or weeks to turn the town upside down, and, most of all, the odd personalities who think all of this is the best possible way to live. We count ourselves among them. Whatever else one thinks of Adios O'Shaughnessy
it has the feel of the real thing.
A deserted island, a pair of killers, and very little time.
We just finished reading Aground, which Charles Williams wrote in 1960, and it was a solid if unspectacular outing from a highly experienced author. In this one John and Rae (two characters who meet here but would later marry and appear in Dead Calm) are trapped with two weapons smugglers on a yacht that's stuck on a reef. The only way to free the boat is to lighten the load, so the crooks make the couple help unload tons of guns onto the atoll, and thus we get the ticking clock for this thriller—when the boat is light enough to float, the criminals will move it to slightly deeper water, make their captives reload the guns, kill them and be off. A fun gimmick, perhaps not exploited to fullest advantage, but the end result is worthwhile. The Crest paperback edition above, with uncredited art, appeared in 1961. |
The headlines that mattered yesteryear.
1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain.
1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
1937—The Hobbit is Published
J. R. R. Tolkien publishes his seminal fantasy novel The Hobbit, aka The Hobbit: There and Back Again. Marketed as a children's book, it is a hit with adults as well, and sells millions of copies, is translated into multiple languages, and spawns the sequel trilogy The Lord of Rings.
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
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