Vintage Pulp Apr 22 2014
GUERRILLA PULP
When vacation meets pulp we’re happy.
 
Must do this quickly. The Pulp Intl. girlfriends are away only for minutes. We’re basically cut off from civilization on some forgotten coastline, but in a nearby townlet we found an internet place that had some books, and amidst all the dreck and dross, presto!—uncovered an entire stack of Fleuve Noir thrillers with cover illustrations by Michel Gourdon. The Pulp Intl. girlfriends are always trying to get us to unplug, but we simply—*tented fingers*—can’t… be… stopped.
 

 
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Vintage Pulp Apr 18 2014
GUT REACTION
Some things are just too hard to stomach.

Above is the cover of an issue of the Australian adventure magazine Adam published this month in 1974, featuring an illustration for Herb Hild’s story “Move into Danger” (called “Hike into Danger” inside the magazine). Adam is one of the best men’s publications ever produced in our opinion, though it’s becoming more difficult to collect each day, which means we’re running out of new issues to post. But we aren’t done yet. Below are thirty great page scans and you can see thirty-four more issues of Adam we’ve posted over the years by clicking here and scrolling down.

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Vintage Pulp Apr 17 2014
KILLER SEX
She bent over backwards to please everyone and what did it get her?


The above poster, which is very rare, promotes an American x-rated flick called Farewell Scarlet, starring Terri Hall acting under the bizarre name National Velvet, a decision we’re sure didn’t go over well with Metro-Goldwyn-Mayer. Made during the days when adult films were real cinema, Farewell Scarlet is a porno murder mystery about a woman who is murdered at an orgy. The cause of death? Asphyxiation via a large, wiggly dildo. The moment is actually depicted on the lower left quadrant of the poster, which is fine because the genre requirements here are sex, not suspense, so presumably nobody in Japan cared if the art fingered the killer. You’d think the death of the star at the 5:40 mark would leave a void in the film, but Hall’s many other scenes are shot in flashback as the character of Dexter Sleuth attempts to unravel the mystery.

And of course there are other performers present to fill the running time, notably Kim Pope, who had been ko’d by a mugger prior to filming and had to perform with her jaw wired shut. That’s really no laughing matter, but unfortunately, watching her deliver cheesy dialogue through gritted teeth is unavoidably funny. On the bright side for her, perhaps being unable to talk was for the better, since it probably prevented her from strongly protesting her key participation in a sado-masochistic Nazi sex scene while wearing swastika pasties. How does the movie get there? Doesn’t matter. Ultimately it’s as much a comedy as it is a mystery, and that’s part of its murky, 35mm charm.

And then there’s Hall. The former ballerina would later flex her muscles in golden age classics like The Opening of Misty Beethoven, Rollerbabies, and the frighteningly titled Gums, in the process becoming one of the era’s most famous stars. We'd show you some promo shots of her, like we usually do with the stars of movies we write about, but she seems to have traversed her career without a single good photo ever being made. Which means her movies are the only real evidence of her work. Are we recommending Farewell Scarlet? Not so much. But it is an interesting curiosity. It premiered in the U.S. in 1975 and had its Japanese debut today in 1976.

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Vintage Pulp Apr 16 2014
PARIS WHEN IT'S GREY
Even when it’s drab it’s beautiful.

This issue of Paris Plaisirs goes back farther than any we’ve featured—to 1924. But the pulp era officially began in the late 1800s, which means this art deco influenced publication fits right in. It debuted in 1922, lasted into the late 1930s, and was published out of Rue Georges-Berger in the Plaine de Monceaux quarter, fashioning itself as a specialty publication for Parisian music halls. Though this issue is very grey, the magazine became more colorful as time went by, which you can see in our other posts. That’s about all we can tell you about Paris Plaisirs because the mastheads in these are not exactly packed with information. We’ll find out more eventually, but in the meantime we’ll just enjoy the racy photographic vignettes and many ink drawings evocative of the Jazz Age. 

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Vintage Pulp Apr 15 2014
PRETTY IN PINK
I’m glad you think they’re pretty, but they’re not my underwear—they’re yours. One of my red dresses got mixed in with your laundry.

It’s been a while, so here’s another cover from Saber Books, Jack Moore’s Call of the Flesh, published in 1963, with art by Bill Edwards. You can see another cover from Saber here. 
 
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Vintage Pulp Apr 14 2014
PANTIES IN A BUNCH
Art Frahm illustrates the basic principles of gravity.

When we began posting Technicolor lithographs we mentioned that they were designed to replicate pin-up paintings. Today we thought we’d show you several of those traditional prints. These are by Art Frahm circa 1950 to 1955, and are entitled Fare Loser, No Time To Lose, Spare, Shakedown, and Hold Everything. You notice Frahm had a thing about fallen panties—indeed, he made them a trademark of his work. But in four of these you also see another peculiar preoccupation of his, namely celery. The girls carrying groceries all have stalks of celery protruding from their bags. And sometimes Frahm’s models also became encumbered with small dogs, which you see in the last two pieces. There are other quirky characteristics of his work, as well, and when you add it all up it’s a cocktail of Freudian weirdness, but one that made Frahm a top pin-up artist through the ’40s, ’50s and ’60s, and keeps his work highly collectible today. We will have more from him a bit later.

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Vintage Pulp Apr 12 2014
LEZ IS MORE
A girl named Joe.

Above, a cover for They Call Me Lez, 1963, authored by Jo Ann Radcliffe. The back of this, which you see below, reveals that Jo Ann Radcliff is in fact popular men’s magazine writer Joe Radcliff. Seems Jo Ann wrote as Joe for years, but outed herself for this book about a “searing social problem.” We doubt either Joe or Jo Ann were anything more than shell personae, as was often the case with this kind of literature, but we can’t confirm that suspicion. We’ll see if we can find more and circle back to this.

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Vintage Pulp Apr 11 2014
WHISPER OF THE KNIVES
Every celebrity’s time comes eventually.

Reading about celebrities in these old tabloids is a bit like reliving their fame in real time, and in this Whisper published this month in 1957 we get to observe Marilyn Monroe in mid-career. You know that stage. It’s the one where she’s no longer a sparkling new star, but hasn’t yet earned the status of a venerable old treasure. It’s the stage where almost overnight the very editors who were partners in constructing the edifice of fame begin to take it apart brick and girder, with sledgehammers and blowtorches. In this issue Whisper editors throw Monroe into their monthly crucible “The Pit,” an unenviable place you may remember from our post on Liberace a while back. Sometimes a celebrity behaves in such a way as to deserve harsh criticism, but generally that isn’t the case—only the narrative has changed, which itself reflects the belief in editorial circles that more magazines can be sold by tearing a person apart than by continuing to build them up. As we’ve mentioned before, we know a little bit about this, having spent many years working in media.

So what had Monroe done? What was Whisper so miffed about? Well, she had declared her craving to act in serious films. We’ll let Whisper hatchet man Tom Everleigh spin it for you in his own words: “And while the only success she’s ever had in films has been by rolling her hips and doing a lightweight Mae West routine, she’s suddenly going to become a “serious actress”—and would even love to render Shakespeare even!” There you have it, complete with two "evens," oddly. Monroe was the pits because she sought artistic growth. Everleigh describes every aspect of her career as crass manipulation and propaganda, which strikes us as pretty harsh, considering she was never in politics. But anyway, it does illustrate the point that when the script is primed to flip the flimsiest of pretexts will do. At this point in her career Monroe probably would have ended up in Whisper’s Pit whether she’d personally thwarted a terrorist attack or thrown a crate of golden retriever puppies in a woodchipper. Or put another way, when it’s your time to suffer the knives of the tabloids it’s simply your time. Monroe eventually did reach venerable old treasure status, but sadly, it was after her death five years after this issue appeared. We have a couple of scans of her, as well as a great page of Diana Dors with her husband Dennis Hamilton, below. 


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Vintage Pulp Apr 10 2014
ELLE OF A VIEW
Shake ya popotin, but watch yourself.

Above, a cover for Elle ondule du popotin, written by Jack Norton for Éditions Le Trotteur’s Collection Paprika and published in 1953. Norton was of course a pseudonym, in this case for Jean de Backer, who also wrote as Jacques Norton, Henry Ghils, and others. The title of this translates rather provocatively as “she sways her ass,” which is exactly what the artist seems to have been trying to depict with this femme fatale in sheer lingerie. That artist was Alex Pinon, a favorite of ours. We haven’t really begun to share his work the way we’d like, but we will, and in the meantime, if you click over to our keyholes collection from last July, you can see a few more Pinons there. By the way, “popotin”? That’s one of the funnier words for butt we’ve heard. Not great as a song lyric, but maybe we can work it into conversation sometime. 

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Vintage Pulp Apr 8 2014
LITTLE RED GAZETTE
The National Police Gazette packs a bigger punch than its size would suggest.

This April 1944 National Police Gazette totals a mere sixteen pages, including both covers. During the early 1950s the page count would rise, pretty much doubling and remaining that way for most of the next three decades. But small though this issue may be, it still contains some interesting items, such as blurbs on singer Frank Sinatra and baseballer Bob Feller, as well as an attractive cover featuring Betty Duval, and interior photos of other beauty queens. The most notable item is probably the centerfold, which is reserved for Marjorie Tallchief, a full-blooded scion of the Osage Nation who as a ballerina rose to the lofty position of première danseuse étoile of the Paris Opera Ballet. Some online sources say Marjorie Tallchief was aka Maria Tallchief, while others say the two were sisters. It’s the latter group that have it correct—Marjorie and Maria were separate people, and both were acclaimed ballerinas. They were also part of a generation of Native American ballet dancers—including Yvonne Chouteau and Rosella Hightower—to achieve widespread fame around the same time. Scans below.

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History Rewind
The headlines that mattered yesteryear.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
April 22
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
April 21
1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.
1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.

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