Intl. Notebook Jul 22 2017
BARDOT IN A BOTHER
You're annoyed? I'm the one who's a human armchair.

This is a classic piece of tabloid art. Brigitte Bardot is pictured on this National Enquirer published today in 1962 reading what is supposed to be a tabloid paper and looking annoyed. The art suggests she thinks the press is lying about her, reporting fake news, as it were. And being the tabloid press, it probably was. Below you see the photo Enquirer cropped to get the cover. In it, Bardot sits on her younger sister Mijanou's lap between takes on the set of the 1959 comedy Voulez-vous danser avec moi?, aka Come Dance with Me, in Nice, France. Sis looks just as bothered as Brigitte, but she was probably just bored, since she wasn't appearing in the film. She did act in more than a dozen movies of her own, though.

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Intl. Notebook Jul 14 2017
DAWN OF THE SKYBOATS
Flying through the air with the greatest of ease.

Pan American World Airways knew how to imbue travel with an aura of romance. It launched in the late 1920s with mail service from Key West to Havana, and quickly expanded to become a passenger airline. Business boomed—well heeled Americans took flights to Havana in droves in what became known as the Cocktail Circuit, escaping U.S. prohibition to enjoy a weekend of decadent nightclubs and gambling before returning in time for Monday's real world obligations. Soon Pan Am expanded service throughout Latin America and the world. It bought seaplanes to get around the problem of many cities not having proper airports. With the ability to use docking facilities, virtually no destination was inaccessible.

The company dubbed its seaplane fleet “clippers,” evoking the masted sailing ships of the oceangoing era, and their draw was not just their mobility but their luxury. Some say it was a different era of corporate governance, a time when the mandate in the commercial travel industry was to earn loyalty with good service rather than to blackmail customers into avoiding misery. This is partly true, but it's also important to remember that air travel was initially considered a luxury indulgence. It was with the advent of travel for the masses that airlines began to exchange services for profitably packing people in like sardines. In that sense, their priorities have not changed much in fifty years.

Pan Am soon began promoting its services with colorful posters, many of which were created by a talented artist named Mark von Arenburg. These prints, which promised to take passengers around the world by clipper, hung mainly in airports and travel agencies and gave passersby fantastic glimpses of faraway destinations—indeed, it's difficult to look at any of them without feeling the pull of the exotic wider world. The company produced hundreds of these promos in various styles and multiple languages, but for our purposes we're interested today only in the posters advertising travel on that elegant Pan Am clipper.

Over the years the fleet evolved from seaplanes to jets, and while all were called clippers, it's the lovely skyboats that are most fondly remembered—and which provided so many entertaining settings in old movies and pulp fiction. The posters you see below are scans of both originals and reproductions, and there are quite a few. Even so, it isn't a complete collection. Some of the most famous posters are so rare they simply can't be found online at the moment. While it's true that air travelers are mainly treated like cattle rather than customers today, and commercial flying is a form of voluntary torture, the destinations are still there to make those difficult hours in the air worthwhile. Let these posters inspire you.

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Intl. Notebook Jul 10 2017
THE $60 MAN
You, sir, are no Steve Austin.

Mike Power, aka the Atomic Man, originated with the Hasbro toy company in the mid-1970s as part of its G.I. Joe Adventure Team. Power was born disabled. He spent his life developing atomic parts for his body, including a leg that helped him run 200 miles per hour, an arm that lifted 10,000 pounds, an eye that could see through six feet of solid steel, and an atomic heart to help him handle all the exertion. As you have probably guessed, Hasbro created him as competition for Kenner's Six Million Dollar Man action figure, but this one was going for around sixty dollars. We've seen cheaper ones that come without a box.

Power was also low rent in the sense that he never had a television show like the Six Million Dollar Man, but Hasbro put out a comic, and those are collector's items today. There were actually two versions of Power. Here you see the British version, which was manufactured by Palitoy, and the main difference was Power's plastic hair was replaced by a flocked hairdo that looked like a white guy ’fro. Below you see what Power is packing under his jumpsuit (“Daddy, why doesn't he have a wiener?” “Well son, that's because Atomic Man had it cut off when he became what's called a eunuch. Bled like a pig, he did.”). You can see a couple more entries on vintage dolls
here and here. And if you're into futuristic toy ray guns, check here.

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Intl. Notebook Jul 6 2017
FULL SIZED SEDAN
Just the thing for a cross-country trip.

This photo shows the crater made by the Sedan nuclear test, also known as the Storax Sedan test, which happened today in 1962 as part of Operation Storax. The crater is the result of an explosion that displaced twelve million tons of earth, and at 320 feet deep and 1280 feet in diameter is the largest man-made crater in the United States. It's also—bizarrely we think—listed on the National Register of Historic Places, especially weird when you consider that it sent two radioactive plumes wafting northeast from the Nevada explosion site, cross country from state to unsuspecting state, to settle especially heavily upon Iowa, Nebraska, South Dakota, and Illinois. Of all the nuclear tests conducted in the United States, Sedan ranked highest in overall activity of radionuclides in fallout, distributing nearly 7% of the total amount of radiation which fell on the U.S. population during all of the nuclear tests at the Nevada Test Site. Historic indeed. You see the explosion that caused all that below.

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Intl. Notebook Jul 4 2017
PLASTIC FANTASTIC
Better living with polymers.

Models Joan Brown and Betty Bland demonstrate the tensile qualities of Krene Plastic by using a sheet as a hammock in this photo shot in Cypress Gardens, Florida in 1955. Krene Plastic was 1/100th of an inch thick but was strong enough to support the weight of both models plus two others—at least according to its makers the Bakelite Company. At the time it was touted as a miracle material, perfect for a wide range of applications, but ultimately it was used mainly to make shower curtains.

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Intl. Notebook Jul 3 2017
SELMA SEX FIENDS
Deep inside the civil rights movement.

Above we have an issue of The National Insider that hit newsstands today in 1966, and as you can see the cover is given over to Sheriff Jim Clark, who tells the story of how he saw civil rights activists involved in an orgy in Selma, Alabama. Clark actually writes the article himself, and it's mostly a defense against unflattering portrayals of him in the national press. He claims the accounts are part of “one of the most effective propaganda campaigns since Josef Goebbels sold Adolf Hitler to 70 million Germans—and destroyed a nation in the process.” It's always best to drop Hitler into the narrative early, Godwin be damned. Clark goes on: “The civil rights organizations and their hired agitators who descended on Selma knew that the sheriff must enforce the law and maintain order. They knew, and I knew, that I was playing into their hands. I was the heavy. They were the martyrs.”

This is fascinating stuff. Clark thought protestors were in Selma not to seek redress for abuses, but to be deliberately arrested. It's a classic case of constructing an alternate reality to confirm one's own prejudices. Civil rights protestors risk arrest, and are willing to be arrested, but do not prefer it. They prefer notice from the target of their protest, and news coverage of the event in order to spread their point of view. They don't hire agitators. It's an accusation always leveled, and not once proven. By Clark's formulation, public protest of any sort is not about seeking rights, but creating chaos. Conveniently, then, the only way to avoid creating chaos is not to protest at all, and accept one's lot in life. See how that works? Clark says, “I disapproved of civil rights protestors because they put themselves beyond the law.” But of course the law was what denied them equality, therefore no petition for redress could happen anywhere except beyond the law.

But what of the orgies? Here's Clark: “Dozens of Selma and Dallas County people swore to seeing sex acts between whites and Negroes. White teenaged girls making love in public with Negro men. White men dressed as priests making love with Negro girls. Make no mistake about it—sex and civil rights go together.” Of course this is always tactic number two. After refusing to accept the purpose behind civil protest, you then disparage the people. The fact that Clark went in a sexual direction shows what was really on his mind. “Sex and civil rights go together.” Which is to say, if blacks achieve the rights they seek, we can kiss our white girlfriends and daughters goodbye. It's almost comedy material, except it's hard to laugh knowing so many people were swayed by this argument. Sex is no longer overtly used as a propaganda weapon, but the smearing of rights protestors continues.

Taking a step back and looking at it from the reality based world, we cannot think of any instances where civil rights protestors risked their safety and freedom fighting oppression that was a figment of their imaginations. In every case the protestors were correct, from southern Alabama to South Africa. Sometimes it's ethnic majorities that are oppressed, but never the economically dominant. Sometimes the economically oppressed and economically dominant are the same ethnicity, leading to scenes such as those during the Great Depression when white police violently broke up the protests of the white unemployed. But in order to believe that rights protestors would risk their already tenuous status over a non-issue, one already has to have a low opinion of them. The upshot of Clark's article is that the Selma marchers had no true grievances. We know today that's false. Similarly, there are people who would have us believe that today's civil rights protesters have no valid grievances. This again, is demonstrably false. We'll have more from The National Insider later.


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Intl. Notebook Jul 2 2017
STAR BRIGHT
Last star you see in your life.


This photo shows the French nuclear test codenamed Aldébaran, after an orange giant star in the constellation Taurus. If the photo were in color, the light from the explosion would indeed be orange at this stage, but we actually prefer this black and white shot. It was France's first nuclear test, to be followed by 209 more, including 50 in the open atmosphere. Most took place on on Mururoa Atoll, leading to rampant radioactivity which the French government managed to keep secret until just a few years ago. Aldébaran was detonated today in 1966.

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Intl. Notebook Jun 25 2017
TIP OF THE EKBERG
Uncensored turns its unique journalistic eye toward Anita Ekberg.


There's nothing quite like tabloid writing, a fact once again amply demonstrated by Uncensored. This issue is from June 1963, and check out this short paragraph from its feature on Anita Ekberg: “This is the Uncensored story of how Prince Philip bagged a rare and exotic Scandinavian pouter pigeon. Though its native habitat is Sweden, this double-breasted dove prefers the warmer climate of Italy. It also migrates as far from home as London and Hollywood.”

Double-breasted dove? They don't write like that anymore, and a good thing too. It's sexist, of course, but the tabs were generally belittling of both females and males—though in different ways. Women were derided for dating around, such as when Uncensored refers to Ekberg as “Sexberg,” whereas men were usually disparaged for not being manly enough. That typically involved either being rebuffed by women, not scoring with enough women, or sexually preferring men. You see this in the story on Marcello Mastroianni, who's called “lazy” for passing on Brigitte Bardot. And you see it in the story on the United Nations, which is referred to as the “U.N. pansy patch.”

From the perspective of 2017, the heteronormative insecurity is pretty obvious. Men are to be prowling wolves, and any failure to live up to the ideal prompts insults; women are to be readily available for action, but not to other men. The story on Ekberg treads the line of admiring her beauty, but being suspicious about the freeness of her affections. There's a photo of her dancing with a black G.I. in Rome, and while the caption is neutral, in the context of the story the meaning of the shot is clear: “Ekberg will even dance with a black man!

We love the photo. Ekberg looks a bit baffled, as if the soldier is telling her, “We'd be in mortal danger for doing this in most of the United States, you know,” and Ekberg is saying, “What the hell are you talking about?” The photo also shows how tall Ekberg was, almost 5' 7”, probably 5' 10” in heels, which is towering for an actress who needed to star alongside all those mid-sized leading men. We think this is the first time this image has appeared online.

Other elements worth noting in this issue include French actress and Pulp Intl. femme fatale Dominque Boschero as a mermaid, Marlene Dietrich looking dapper in a tux, Jayne Mansfield and one of her famed toy poodles, and burlesque queen Blaze Starr sudsy in a bathtub. There are plenty of other great shots too, and you can see them all below in nearly forty scans. Uncensored will return.

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Intl. Notebook Jun 23 2017
COMING FULL CIRCLE
Famed movie cemetery rises from the dead.

Spaghetti westerns earned their name because they generally premiered in Italy and the studios that financed them were usually Italian, but the films were often predominantly shot in Spain. The climax of The Good, the Bad and the Ugly, with its unforgettable three-way gunfight between Clint Eastwood, Eli Wallach, and Lee Van Cleef, was shot outside the town of Santo Domingo de Silos, Spain, in the province of Burgos, in a unique circular cemetery put together by set builders. In the script it was called the Sad Hill Cemetery. After the shoot Sad Hill was abandoned, and soon nature began to overtake the set.

That would have been the end of the story, but a group of film fans calling themselves the Sad Hill Cultural Association decided Sad Hill was a historic film treasure deserving of resurrection, and pledged to rescue it from oblivion. Toiling in their spare time, they labored with pick, hoe, and shovel to clear the site. They needed money to accomplish the work, so they set up a crowdfunding campaign with a unique enticement—those who contributed would have their names inscribed on the restored grave markers. The restoration efforts are finally complete, and the famous graveyard has been returned to its former state.

Spanish filmmaker Guillermo de Oliveira shot a documentary about the salvation efforts, and hopes to release a film titled Sad Hill Unearthed. He's now trying to raise money to pay for the rights to clips and music from The Good, the Bad and the Ugly, with the plan to premiere thefinished product at film festivals and share the restorer's unique dedication with the world. Meanwhile Sad Hill will become not only a tourist attraction for people passing through the province of Burgos, but a destination for those who contributed to its renewal. As Oliveira commented, “It’s the only cemetery in the world where you can visit your own grave.”

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Intl. Notebook Jun 22 2017
TIME IN THE SPOTLITE
National Spotlite gets right to the good parts.

This National Spotlite published today in 1970 knows its readers want to see boobs. It touts “the girl with the 50” bust,” and leaves a little space at bottom left for those boring witch cult sex orgies. Since Informer dealt with the boobs first, we'll follow suit. The girl with the 50” bust is Suzanne Pritchard, who was a mid-level glamour model and sometime dancer, whose go-to move was squeezing said boobs together between her arms. You can see what we mean in the interior photos, and the first thing you'll probably notice is that Suzanne Pritchard is not the woman pictured on the cover. No, that's an unnamed beauty who probably had no idea she'd end up on the front of Spotlite. Cue sleazy agent: “Hey, I said I'd get you some exposure. What didja expect? Harper's-fucking-Bazaar?”

Inside the issue there's another familiar face besides Suzanne Pritchard's. In a feature entitled “The Art of Taking a Bath” we see none other than German star Karin Schubert. Cue agent: “Hey, I said I'd get you some exposure. What didja expect? The cover? It was taken.” Actually, while the unnamed cover star doubtless knew of her turn in the Spotlite, in all likelihood Schubert had no clue. As we've mentioned before, we have a background in media, and her shot was undoubtedly what we used to call a handout photo—i.e. images given to magazines and newspapers for use in publicizing a celebrity. Agents back then kept tabs on how many photos were sent out and where, but didn't monitor whether they were used months or years later. The process was a bit more structured by the time we worked at magazines, and today it may well be computerized.

Every tabloid has its focus. Some were oriented towards scandals, others sexual perversion, still others violence and gore. National Spotlite was eclectic, but this issue's recurring theme is breasts. Schubert's bath story has this line: “Women with large breasts should make sure the underside of their mammaries get a good scrubbing. The ideal method is to have someone else cup your breasts into the air while you scrub.” To us, that actually sounds like an incredibly inefficient way to wash one's breasts, but that's really beside the point, isn't it? In sleazy tabloids, everything is foreplay and all roads lead to the bedroom. We have seventeen scans below, all of them designed to get you heated up and ready to perform.

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Next Page
History Rewind
The headlines that mattered yesteryear.
July 27
2003—Hope Dies
Film legend Bob Hope dies of pneumonia two months after celebrating his 100th birthday.
July 26
1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives.
1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974.
July 25
1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945.
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