|Intl. Notebook||Feb 2 2016|
You’ve won a colonial war of choice by shattering a non-violent Ethiopia as world powers such as Britain and France stood by and watched. You’ve rammed through privatizations, laws favoring the wealthy, and made unions virtually illegal. And you’ve got an ultra-nationalist, militarized police force to help you crush social unrest. What does a satisfied dictator do to unwind? Clearly, he takes his yacht out for a spin on the Tyrrhenian Sea. Italian strongman Benito Mussolini used that yacht—the Fiamma Nera or “Black Fire”—for aquatic romps with his hot mistress Clara Petacci, but scuttled the boat in 1943 after Italy’s World War II fortunes turned for the worse. The boat was raised and had several owners over the decades, but is in the news today because it was part of €28 million worth of assets seized from alleged organized crime figure Salvatore Squillante.
|Intl. Notebook||Jan 22 2016|
San Francisco's Noir City Film Festival remains one of the best of its type in the U.S. Its fourteenth incarnation kicks off today in San Fran with Rear Window and The Public Eye. The first isn't a noir, but fits comfortably on the festival program; the second is a sort of noir, though a newer one, and is an inspired choice, in our opinion. We just wonder whether people who pay for two films noir will be happy with those two selections on opening night. In any case, we take a peek at both films below. Other offerings this year include the Bogart vehicles The Two Mrs. Carrolls and In a Lonely Place, Screaming Mimi, Corridor of Mirrors, The Dark Corner plus more than twenty other titles, and we'll be taking a look at some of these films throughout the next week.
|Intl. Notebook||Jan 12 2016|
|Intl. Notebook||Jan 10 2016|
Last night Rolling Stone, one of the U.S.’s top investigative magazines, published a pulp-worthy article on its website about Mexican drug lord Joaquín Guzmán Loera, aka El Chapo. The magazine sent actor Sean Penn to the jungles of Mexico to interview Guzmán, a meeting that came about at the drug kingpin’s behest because he was interested in making a movie about his life. Long story short—Guzmán ended up being captured Friday in Sinaloa, Mexico after a gun battle with police, and his ongoing contact with Hollywood figures was the primary factor that led authorities to him.
Guzmán has been imprisoned before, so nothing new there. He escaped both times. He may well escape again. His most recent breakout is detailed in the Rolling Stone article—he disappeared through a hole in his shower (see below), dropped into a mile-long tunnel, and rode away on a specially designed motorcycle on rails that had been modified to runin a low-oxygen environment. All this took at least $1 million to achieve. According to Penn and Rolling Stone, Mexican engineers were flown to Germany for specialized training in tunnel building.
The article is worth a read. Penn describes being waved through police checkpoints to Guzmán’s jungle lair, and when that fact is measured against his capture, it suggests a factionalized Mexican state, with the president and certain other top authorities conducting an anti-drug crusade even as military figures, federal officers, and local cops often work for the drug lords. But Mexico is not uniquely corrupt, and that is something that must be emphasized. The wealthy north is also in the drug trade.
Consider—the British bank HSBC knowingly laundered hundreds of millions of dollars of Guzmán’s drug profits. Yes, they knew about it. The bank was caught, and its heads talked about a “failure of standards,” but all the bankers skated from justice for this terrible crime thanks to their connections in the political world. Is this any different from Joaquín Guzmán motorcycling to freedom through a tunnel? We don’t think so. This is something that global authorities desperately want to keep the general public from understanding—the drug trade is an integral part of capitalism, not some dark subset of it.
Not convinced? The U.S. bank Wachovia laundered drug cartel money and deliberately failed to apply anti-laundering measures to $378.4 billion that passed through the institution. That amount of money is equal to one-third of Mexico's gross national product. The result? Fines of about $160 million—less than 2% of the yearly profits—and no jail for anyone in the executive suite. The list goes on. Liberty Reserve, Bank of America, Western Union, and J.P. Morgan all have drug ties. There are doubtless more we don't yet know about.
Articles in The Wall Street Journal and other establishment papers try to paint the banks as victims. Yet in the end, there are always executives who know exactly what’s happening—just like the cops that waved Sean Penn through those Mexican checkpoints. Besides, since when do victims get to charge millions in fees for their crimes? In the same way U.S. slavery was enabled by banks in New York City and Boston, which even accepted slaves as collateral, the southern drug trade cannot exist without the money laundering operations of the northern banks. And the amounts of money involved don’t just influence markets—it shapes them. Roberto Saviano, possibly the world’s foremost expert on the global drug trade, and author of the blockbuster exposé Zero Zero Zero, says, “It’s not the world of cocaine that must orbit around the markets, but the markets that must rotate around cocaine.”
|Intl. Notebook||Jan 3 2016|
|Intl. Notebook||Dec 25 2015|
Adolf Hitler and cohorts enjoy an uproarious 1941 Berlin Christmas party, where the mood may have been somewhat subdued due to the fact that attempts to crush Russia had so far failed at the cost of more than 800,000 German casualties. The photo was shot by Hugo Jaeger, one of the Führer’s personal photographers, and didn’t come to light until published by Life magazine in 2010.
|Intl. Notebook||Nov 15 2015|
|Intl. Notebook||Nov 9 2015|
This Inside Story from November 1963 features cover star Christine Keeler and the people in her life, while the left of the page has insets with Mamie Van Doren and Anthony Quinn. We’ve covered Keeler. Hers was one of the most flogged scandals of the 1960s, and Inside Story editors are well aware of that, which is why they claim to have new information. But it’s nothing new—just rehash on Keeler, a background on Czech call girl Maria Stella Novotny, who was well known by this time as one of Keeler’s colleagues, and standard red scare stuff about motel rooms set up with microphones and two-way mirrors. We will get back to Novotny, however—her tale offers some interesting twists and turns.
Inside Story shares stories about Mamie Van Doren, Jackie Gleason, Peter O’Toole, Ava Gardner and a nervous tailor who measured her for a suit, and how perfume makes men go wild. Editors also decry the injustice of a Harlem restaurant refusing to serve a white woman—this, mind you, during an era when literally hundreds of thousands of U.S. enclaves, from restaurants to schools to country clubs to sectors of the military, were whites-only. False equivalence, thy name is Inside Story. But interestingly, a subsequent piece about the world’s sexiest nightclubs tells readers chic Harlem bars are frequented by white Hollywood stars. And so it goes…
|Intl. Notebook||Nov 4 2015|
Back in 2010 we showed you some covers of the West German movie magazine Gondel, named of course after Venice’s famed banana-shaped boats. Which is fitting because Gondel later began to dedicate itself to a completely different type of banana shape by turning into a porn magazine. You see, because a banana and an erect penis are both… er… filled with potassium… *someone turns on a blender behind the bar* Anyway, it was in the 1970s when Gondel shifted gears, and theirs wasn’t an uncommon evolution among magazines around that time, as we’ve talked about before regarding the men’s adventure publication Male.
There are others. Inside the issue you get full-page shots of, top to bottom, Anne Heywood, Merry Anders, Rita Pizzy, Clark Gable with Jean Kay, Maggie McGrath, Elga Andersen, Nuccia Morelli, Yvonne de Carlo with Robert Morgan, unknown, Margarete Neumann, Linda Cristal, Karin Himboldt, Joan Collins, unknown, Pascale Roberts, Belinda Lee with unknown, Annie Gorassini, Anne Heyworth, Mamie Van Doren, unknown, and Arlene Dahl. Got any idea who the mystery passengers are? Let us know, and meanwhile check out the Gondel covers at this link.
|Intl. Notebook||Nov 2 2015|
The French weekly Cinémonde debuted in October 1928, with the above issue hitting newsstands today in 1965 starring French goddess Mylène Demongeot on the cover. Inside, her feature is headed with the text “Il faut oser tenter le diable,” which means, “We must dare tempt fate,” and she goes on to say, “Il existe peut-être dix photographes au monde (seulement) à qui, pour nue... ou presque, une actrice puisse faire confiance,” or basically, “There are perhaps ten photographers in the world (only) who… (almost) naked, an actress can trust.” The literal translation reads a bit backward, but you get the drift—she of course means only a few photographers can be trusted to shoot an actress (almost) nude.
One of those is apparently British director Terence Young, who helmed Dr. No and two other Bond movies, as well as Zarak and Wait Until Dark, and whose photography you see here. However Demongeot, after all this philosophizing about the (almost) nude form, does not appear (almost) naked in any of the photos. Still, she looks amazing, as always. She says at the end, “Je voudrais qu'il ait envie de les decouper et de les regarder longuement, avant de se coucher. Pour qu’il fasse de beaux rêves.” Something along the lines of wanting men to cut out her photos and look at them before going to bed… to inspire beautiful dreams. Well, we would have to use a laptop instead of cut out photos, and we’d do it, except we have a feeling our girlfriends would not let us get away with it. Of that we’re (almost) sure.