 Some bright morning I’m gonna sail away. 
V magazine from France, published February 8, 1948, with a photo-illustration of an almost unrecognizable young Marilyn Monroe on the cover.
 You need all three dimensions to appreciate Monroe. 
3-D pin-up book with Marilyn Monroe on the cover. If her outfit looks familiar, that's because it’s pretty much identical to the one she was wearing in those amazing shots we posted Christmas Eve, right down to the shoes, except everything is red instead of blue. So, what exactly do 3-D pin-ups look like? Let's just say it's a good thing Avatar isn't this blurry. 
 How do these buttons work again?  
Dutch actress Sylvia Kristel, shown here in two shots from the same photo session, with a wardrobe change in between, 1975. For reasons probably having to do with poor manual dexterity, she never got either outfit completely fastened. How embarassing. More Kristel wardrobe malfunctions here and here. By the way, don't you just love the drapes?
 Good thing Chris Noel dressed for warm weather, because she spent quite a bit of time in the jungle. 
We ran across this 1970s-era Japanese celebrity magazine Movie Information featuring Chris Noel on the cover and absolutely had to share it. She was a notable figure during the Vietnam War due to her “A Date with Chris” radio program, which she broadcast twice weekly to American troops. The show was immensely popular. In fact she was thought by the Viet Cong to be such a morale boost that they reportedly placed a $10,000 bounty on her head. They never managed to kill her, but helicopters in which she rode often took ground fire, and two crash-landed with her aboard. Her efforts to make personal contact with U.S. troops were remarkable when you consider she had already established herself in b-movies and on television and may have been on the verge of becoming a star. Yet she put Hollywood on hold and instead became a radio broadcaster in a war zone. After Vietnam she tried to return to movies but the reception in Tinseltown was icy for a minor actress who was perceived to have supported a U.S. war of aggression. Eventually she gave up and opened a shelter for homeless veterans, which she still runs today. All in all it’s a remarkable—perhaps even movie-worthy—story. History has written a last draft on Vietnam. The event is remembered by the majority of the world as an error, one that cost the U.S. considerable prestige, and resulted in a humanitarian disaster for the Vietnamese—more than two million civilian deaths according to the most conservative tallies. Even the war’s chief architect, Robert McNamara, who died recently, declared the conflict a colossal mistake. Today Vietnam remains under communist rule, but has restored diplomatic ties with the U.S. and is one of the most welcoming nations in the world, a place where American vets comment with amazement upon the Vietnamese ability to put the war behind them despite the ghastly suffering they endured. But whatever history’s take on that divisive period, personalities like Chris Noel are worth admiring. During a time when politicians, pundits, and protestors fought a war of their own over the direction of the United States, Chris Noel rejected the glitz and glamour of Hollywood in order to serve the grunts who were sacrificing their lives on the firing line.
 The most red magazine of the time. 
French treasure from our recent trip to Madrid, Zoom magazine with cover star Raquel Welch, 1972.
 Gene Tierney was born with everything, but life took much of it away. Her name was Gene Tierney and she lived a fairytale existence before ever becoming a movie star. Her parents and grandparents were wealthy. She attended the finest schools on the East Coast and was sent to finishing school in Switzerland. She decided she wanted a career in theater and her father formed a corporation to promote her ambitions. Even in her earliest, smallest stage roles, critics were dazzled by her beauty. Hollywood was a natural next step, and she took it by signing with Twentieth Century Fox and appearing in 1941’s Hudson Bay. The roles and good reviews kept coming, and soon she starred in Otto Preminger’s 1944 noir Laura, about a police detective who falls in love with the portrait of a dead woman. Or at least he thinks she’s dead. Tierney was perfect in the title role—that of a woman more beautiful yet more complicated than her alluring painted image. Laura was a hit and Tierney became a huge star. But unbeknownst to most, Tierney’s fairytale existence had already taken a dark turn. She had married renowned designer Oleg Cassini in 1941 and by 1943 was pregnant. But the baby girl was born brain damaged because, while pregnant, Tierney had somehow contracted rubella, a form of measles transmitted through fluid emission, the same way flu can be passed. Tierney was consumed by anger and guilt over her daughter’s condition, but her career was in full swing and she managed to hide her anguish as the roles continued—A Bell for Adano and Leave Her to Heaven in 1945, Dragonwyck and The Razor’s Edge in 1946, and The Ghost and Mrs. Muir in 1947. At some point, at some public function or other, Tierney randomly encountered a woman who said they had actually met before, during one of Tierney’s appearances at the Hollywood Canteen. In fact, the woman had been in the Marines at the time and had wanted to meet Tierney so badly she had broken a quarantine to do so. It took another chance meeting with the same woman before Tierney put two and two together: “A year later, I met the same girl again on the tennis courts at a friend’s home in Hollywood. She reminded me of the night she had broken quarantine. 'I got the German measles,' she said. 'Did you get them, too?'" Tierney said that after the woman had recounted her story, she just stared at her silently, then turned and walked away. She wrote in her autobiography, “After that I didn’t care whether ever again I was anyone’s favorite actress.” The revelation changed Tierney. By 1950 she was suffering from depression and bi-polar disorder, yet managed a good performance in another classic noir, Jules Dassin’s dazzling Night and the City. But while her reviews were still good, her marriage to Cassini was failing. They divorced in 1952. Tierney’s depression persisted and doctors treated her with electroshocks—thirty-two sessions that completely erased portions of her memory. Her fairytale life was gone. Meanwhile she was enduring a series of failed romances that led to even more depression. Her career sputtered and in 1955 she stopped acting. When she felt ready for a comeback in the early sixties, her star had faded. After several more roles, she settled into retirement in Texas and finally died of emphysema today in 1991. But Tierney is one of the most fondly remembered stars of Hollywood’s golden age, and one of the few who got to play a role that was so perfectly a metaphor for her life. Like the lovestruck detective in Laura, the public fell for a portrait that was beautiful but ultimately false. As Tierney’s cool-as-ice Laura Hunt said, “To him, I, like everything else, am only half real. The other half exists only in his own mind.”
 In 1962 Hollywood actresses began showing skin for the first time in more than thirty years. Today we have a Confidential from October 1962, featuring a rundown of nude scenes by the biggest actresses of the time. The Natalie Wood shot in the little collage they’ve put together is from Gypsy, her biopic of the stripper Gypsy Rose Lee, where she showed her back, but did not in fact appear nude. Likewise, Liz Taylor never appeared nude in a film. Ditto Kim Novak, although she posed quite provocatively for many photographers, including wearing only soapsuds in a Life magazine bio, and in a rumored set of explicit youthful nudes. You can find those on the trusty interweb, but the identity of the woman in the shots is certainly open to debate. Jayne Mansfield and Marilyn Monroe were two entirely different cases, though. The Mansfield image above is from 1962’s It Happened in Athens, in which she went skimpy, but not naked. But the next year she went fully topless in Promises! Promises! and triggered a national firestorm, including a ban of the film in several cities. She was the first mainstream American actress to go topless, not counting the several who bared it before the introduction of the Hayes Code back in 1930. In late 1963, Promises! Promises! stills were featured in Playboy, and those too caused a problem, because they showed that Mansfield had actually been fully nude on the set. An obscenity trial for Hugh Hefner followed, but he was acquitted. In any case, Promises! Promises! was a hit. It wasn’t a very good film. But the scenes with Mansfield are indeed extraordinarily sexy. The Monroe story is equally fascinating. When she was making the film Something’s Got To Give, she was supposed to appear in a swimming scene wearing the usual flesh-colored body stocking to conceal her lady parts. Monroe had caused problems on many sets by then, and her reputation was in tatters. When the time came to shoot the scene, she allegedly did it fully nude, with publicity photographers and crew present. The event caused a sensation, and seemed to signal a renewed focus from Marilyn to reclaim her status as America’s top sex symbol. Sadly, it was the last splash she ever made—she was fired and the film was never finished. But a precedent had been reestablished—for the first time since the Hayes Code, actresses were showing skin. Soon, Hollywood males would be doing the same. In less than a decade the human body would be fully uncovered on film, and there was no putting it back under wraps.
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The headlines that mattered yesteryear.
1939—Batman Debuts
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale. 1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves. 1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission. 1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease. 1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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