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Pulp International - pinky+violence
Intl. Notebook Dec 1 2022
BOOGIE NIGHTS
Hell yeah! My dance moves are tight, and this outfit will definitely make me the center of attention.


We've come to the last page in Reiko Ike's 1972 Weekly Playboy calendar—this fun shot for December where she seems to be having a party of one at home. But we imagine her heading to the hottest club in town. Having been to several of the better discos in the western hemisphere, we think this outfit will get her past even the most jaded doormen. Of course, nobody can really trust our opinon. We've also been arbitrarily refused entry to some of the better discos in the western hemisphere—Pacha! Pacha! Excuse us. Little touch of cold coming on.
 
Anyway, it's been a pretty nice year of Reiko images, and we're happy to have uploaded them for all of you to enjoy. She's outpaced her competitors to become the most featured vintage actress on Pulp Intl., ahead of Marilyn Monroe (if we don't count tabloid appearances), Pam Grier, Christina Lindberg, and a few others. We'll have even more shots of Japan's greatest cinematic girl gangster at some point, so look for those down the line.

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Vintage Pulp Nov 17 2022
BLADE PART 2
Black don't crack a smile.

Above is a second excellent tateken poster for Shin joshuu sasori: 701-gô, known in English as New Female Prisoner Scorpion: 701, with Yumi Takigawa dressed in black from head to toe and looking ready to deal out death. These tateken style promos are rare, so we're happy to have found two. As usual, we like to share posters on a film's premiere date, and that was today in 1976. 

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Vintage Pulp Sep 1 2022
SCHOOL FOR BAD GIRLS
Reiko strikes down upon her enemies with great vengeance and Furyo anger.


More Reiko as soon as that? Why yes. Above you see her on a promo poster for her pinky violence flick Kyofu joshikôkô: Furyo monzetsu guruupu, known in English as Terrifying Girls' High School: Delinquent Convulsion Group. We shared this art as part of a collection ten years ago but didn't discuss the film. Reiko and Yûko Kanô star, and as the title suggests, it's about the rough and tumble lives of female juvenile delinquents. Reiko's high school is run by the Red Rose Clan. Things go very right when she's elected head of the gang, then very wrong when her father dies in a brutal auto accident, she's transferred to the outcast class for non-payment of tuition, the Red Rose tosses her overboard, and she finds out her mother is indulging in sexual extracurriculars. Talk about a run of bad luck.

But you can't keep Reiko down. She fights her way into the good graces of a group of girls that hang out in a local bar. They decide to form a new gang called the Union Clan to fight the Red Rose and take control of the school, which is beginning to descend into anarchy. Soon after forming her new gang, Reiko learns that her father's accident was orchestrated. Like any devoted daughter, she vows revenge. It won't be easy, but once a girl has dealt with the evils of high school, a cabal of heavily armed international drug dealers is a cakewalk. As required by the pinky violence genre, what follows are clouds of cordite and showers of sparks. Doesn't that sound fun? Reiko never disappoints. Kyofu joshikôkô: Furyo monzetsu guruupu premiered today in 1973.
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Intl. Notebook Aug 1 2022
REIKO AND RE-REIKO
She's been around to visit once or twice.


You may think we posted this kneeling image of Japanese actress Reiko Ike back in November, but it isn't the same. We had to reverse it to match the previous shot to see the subtle differences. The facial expression, details of the hair, the angle of the camera, and especially the position of her hands are all new. Reiko has also covered herself more fully in today's pose. In the earlier one—let's just say censorship standards were being pushed. In addition, this photo is more retouched. In the previous one you can see the blue veins in her skin. That image was published in Weekly Playboy in 1974, but this one appeared two years earlier as part of the magazine's 1972 Reiko Ike calendar, which we've been documenting since January. There are only four short months to go until that project ends, but fret not, Reiko lovers—we have enough photos of her to last long past December.
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Intl. Notebook Jun 1 2022
COUNTING THE DAYS
She makes you wish June lasted all year.


Above: month six of the 1972 Reiko Ike Weekly Playboy calendar. As always, Reiko looks uniquely wonderful, though that brick surface couldn't have been comfy to pose on. Well, art requires sacrifice, and we thank her for all she did. As you can see, the editors of Weekly Playboy decided to use this image to span two months, which means in July we'll have to give you a substitute shot to cover—or uncover—that month. We have plenty, so look forward to that.

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Intl. Notebook May 1 2022
GOOD LOOKING GLASS
Hey, since you're back there, tell me something. Do I look as amazing to you as I do to me?


We've arrived at what would be month five of the 1972 Reiko Ike Weekly Playboy calendar, but we already used that image a while back, so we're offering a substitute. Above, Reiko climbs atop her vanity to get visual confirmation of her own unusual beauty. We'd spend a lot of time in front of the mirror too, if we were her, but we'd be touching ourselves in every possible way. This shot came from a 1974 issue of Heibon Punch and was accompanied by other interesting photos we'll probably share down the line. We will return to your regularly scheduled calendar next month. 

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Intl. Notebook Apr 1 2022
WONDER WOMAN
She doesn't actually have any super powers. But then again she doesn't need them.


In this image, Japanese action star Reiko Ike, seated before a platter of lemons, oranges, and tomatoes, has just been told tomatoes are really fruits instead of vegetables, and now nothing about the world makes sense anymore. We still struggle with that one too. The photo appeared in the 1972 Weekly Playboy calendar, which we've been documenting each month. In thirty days we'll see if Reiko has gotten past this tomato thing. 

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Femmes Fatales Mar 16 2022
KNIFE SKILLS
Never mess with anyone who guts fish for fun.


This cool image features Japanese actress Sanae Ôhori in character as Mari from her 1974 pinky violence flick Sukeban: Tamatsuki asobi, aka Girl Boss: Crazy Ball Game. Ôhori appeared in only four other films, but among them were Seijû gakuen, aka School of the Holy Beast and Onna hissatsu ken, aka Sister Street Fighter, both of which are fun efforts. With a résumé that slight it's unlikely we'll see her again here, but you never know. 

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Intl. Notebook Mar 12 2022
JUST CAN'T GET ENOUGH
They have appetites big enough for the entire room.


Above is an interesting production photo made during the filming of Gendai poruno-den: Sentensei inpu, aka Modern Porno Tale: Inherited Sex Mania, aka The Insatiable. It's a wider angle of a promo image we shared back in 2015, and if you were ever curious how many people are on set for a sex scene, in this case there are five visible, aside from the performers, plus at least one more shooting the photo. Probably there are even a few more. Here's some full disclosure for you: when PSGP worked at Playboy he was asked to help out on the set of a softcore movie titled Call Girl Wives. He saw shot two sex scenes shot, and there were at least ten people around for each. Later he was asked by a porn producer if he wanted to perform in an actual xxx film. Long story short: he declined. Just another interesting PSGP aside. 

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Femmes Fatales Feb 17 2022
DYNAMIC DUO
First comes the sex, then comes the fury.


The landmark pinky violence flick Sex & Fury premiered today in 1973, so as tribute we have its female co-stars Christina Lindberg and Reiko Ike in a rare promo image, which came from the same session that produced this photo. If you're ever going to appreciate pinky violence cinema, Sex & Fury is a film that would be your gateway. But the genre isn't for everyone. The films are easy to hate, and for legitimate reasons. We have Sex & Fury's iconic promo posters available for viewing at this link, and don't forget—you get to see Reiko in a new image the first day of every month of 2022. The previous two are here and here

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History Rewind
The headlines that mattered yesteryear.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
April 22
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
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