Vintage Pulp Jan 18 2014
WOLF PACK
The gangs that couldn’t shoot straight.


Furyô banchô: Inoshika Ochô, aka Wolves of the City, aka Wolves of the City: Ocho the She-Wolf was a significant hole in our Japanese actioner viewing résumé, but we solved that by watching the film a few days ago. In short, you get an amoral motorcycle gang in Nazi regalia pitted against evil Yakuza, with the tide eventually turning when the legendary hellion Ocho the She-Wolf teams up with the gang. The movie looks great. Yukio Noda’s direction—for the most part—is a marvel. He frames shots with six, seven, sometimes even a dozen interacting characters spread across the screen, yet it all seems effortless. Modern directors don’t seem remotely interested in using shots like these anymore, which is a shame, but it may also be a function of today’s screenwriters choosing to limit the number of characters who interact simultaneously. In any case, this is one thing we loved about the movie and we’ve shared some images of this technique below.

But Wolves of the City is a mixed bag. It relies upon numerous violent set pieces, but where the dialogue sequences feel so carefully thought out, the action is pure Keystone Kops. Because Noda continues framing large numbers of actors in single shots, his performers seem more intent uponhitting their stage marks than making these confrontations look realistic. They reach their required positions in the scenes, but these hardened gangsters handle pistols and machine guns as if they were rubber snakes, dealing a major blow to what should be the visceral thrill of such moments. By packing the screen during the gunfights Noda forces the audience to accept that nobody can successfully shoot anyone from five feet away. It feels very bang-bang-you’re-dead amateurish, complete with wounded gangsters clutching their chests, spinning around, and falling to the floor.

In the end the plot ushers us through various deals, deceptions, and shootouts, and you finally get the inevitable throwdown between the bikers and the Yakuza. This is the most unlikely sequence of all, with bikers motoring around none too swiftly inside a confined warehouse while still miraculously being missed by a hailstorm of screaming lead. But by now we know what we’re going to get and we just have to go with it. At one point Ocho puts out a gangster’s eyes and archly informs him (as if he can hear through the head-splitting pain), “You’re the seventeenth victim of Ocho of Inoshika’s eye attack!” This movie does attack the eyes rather beautifully, and if you look past the Vaudeville antics of the action scenes you may enjoy it. The panel length poster at top is rare, and as far as we know it’s the only one of its kind to be seen online. Furyô banchô: Inoshika Ochô premiered in Japan today in 1969.

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Vintage Pulp Dec 29 2012
COMPANY OF WOLVES
Leader of the headbands.

Poster for Makoto Naitô’s actioner Furyo bancho totsugeki! Ichiban, aka Wolves of the City: First To Fight. It premiered in Japan today in 1971. See another poster in the Furyo Bancho series here.

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Vintage Pulp Jan 19 2012
REIKO THE KILLER
Whether by bullet, blade or back of the hand, she’s gonna make you pay.

Above are nine vintage Japanese pinku posters from our large collection, for films featuring that scourge of evil men everywhere—Reiko Ike. These are circa 1971 to 1974, and they are, top to bottom, 1: Sukeban burûsu: Mesubachi no gyakushû, aka Girl Boss Blues: Queen Bee’s Counterattack; 2 & 3: Sukeban: Taiman shobu, aka, Girl Boss: Mano a Mano; 4: Black Leopard M (we don’t know the Japanese title for that one); 5 & 6: Kyôfu joshikôkô: bôkô rinchi kyôshitsu, aka Terrifying Girls’ High School: Lynch Law Classroom; 7: a rare and valuable round poster for Sukeban, aka Girl Boss Revenge; 8: Sukeban gerira, aka Girl Boss Guerilla; 9: Furyo bancho: Norainu kidotai, aka Wolves of the City: Alley Dog Commando.

A quick word about the last one: that is Reiko Ike on the poster, with a machine gun at lower right. We’ve seen this debated on a couple of websites, but there’s no debate—it’s her, beauty mark next to her mouth and all. Besides, her name is on the poster, left column, fifth line. We’ll have more Reiko Ike posters down the line (no, we haven’t run out yet), and we’ll upload promos from other pinku stars as well. To see our entire Reiko Ike collection, click here. Also, we still have some very provocative posters of pinku stars Miki Sugimoto, Naomi Tani, Meg Flower and others that have never appeared online before, as far as we know. We promise we will get those up soon-ish. 

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Vintage Pulp Jan 18 2010
FISTS OF FURYO
Youth speed trouble cigarettes.

Two posters for Furyô banchô yarazu buttakuri, aka Wolves of the City: Rip-Off Game, starring Tatsuo Umemiya, 1971.     

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History Rewind
The headlines that mattered yesteryear.
July 28
1945—Plane Hits Empire State Building
A B-25 bomber crashes into the north side of the Empire State Building, between the 79th and 80th floors. One engine plows entirely through the structure, lands on a nearby apartment building, and sparks a fire that destroys a penthouse. The other engine falls down an elevator shaft. Fourteen people are killed in the incident.
1965—Vietnam War Heats Up
U.S. president Lyndon Johnson commits a further 50,000 US troops to the conflict in Vietnam, increasing the military presence there to 125,000. Johnson says about the increase, "I do not find it easy to send the flower of our youth... into battle."
July 27
2003—Hope Dies
Film legend Bob Hope dies of pneumonia two months after celebrating his 100th birthday.
July 26
1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives.
1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974.

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