Vintage Pulp Jan 12 2019
INNOCENT UNTIL PROVEN GUILTY
Do you find people disagreeable? Maybe it's you that's the problem.


This Ron Lesser cover for John D. MacDonald's Pale Gray for Guilt is a variation on the one we posted years back. Yes, we keep reading these MacDonald books even though we complain about the author, but we have no problem with the writing itself—the guy was named a Grandmaster of the Mystery Writers of America, after all. He can certainly write, his plots are usually engrossing, and his characters are interesting. All good. But to an extent we also read him for the same reason some people watch cable news—i.e. to disagree with his opinions. We think the ’60s and ’70s counterculture brought about important, positive, and long overdue changes to society. MacDonald is basically counter-counterculture.

Years back we developed an aphorism, which we became known for among our friends: The moment you make a generalization about any group of people, the living contradiction to that generalization will be nearby to make you look like a fool. MacDonald's franchise character Travis McGee has met his share of people and has scathing views of various groups. We don't mean ethnically or gender-wise, but more esoterically. He'll put down all people who see psychiatrists, or all people who waterski, or all people who vacation in Palm Springs. He finds various categories of humans tedious, save for the few that meet his lofty standards and in so doing serve as proof of his own excellent taste.

The Heisenberg Uncertainly Principle states that the more accurately you measure the velocity of a particle the less accurately you can measure its position, and vice versa. Which is to say any energy you use to pinpoint position will alter a particle's velocity simply by impacting it, and the reverse is true. In human relations, some people tend to alter those they meet. Nice people may cause disagreeable people to temporarily behave a bit nicer; disagreeable people may make normally nice people behave disagreeably. To a disagreeable person, then, it seems as if lots of people are disagreeable.

In Pale Gray for Guilt the disagreeable Travis McGee is focused on avenging the murder of one of his best friends, which seems to have come about due to a refusal to sell waterfront acreage to a large development corporation. McGee manages to buy the land himself, thus bringing the villains out of woodwork to wrest it from him. The story takes a curiously long time to develop, gets overly deep into the minutiae of stock trading, and contains virtually no action, so we imagine this is one of the less liked entries in the McGee series. Yet it's still very readable, which just goes to show what raw writing skill can do.

We finally used the internet for something useful and solved this MacDonald problem—we simply looked up some lists of his best books. Based on the consensus that emerged from his fans (who by the way seem to agree that the McGee series is not as good as his earlier standalone novels), we're going to read Dead Low Tide, Soft Touch, Deadly Welcome, The Executioners (made into the film Cape Fear), and The Drowner. Those seem to be the books people really like, and as a bonus they're all cheap to buy.

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Vintage Pulp Aug 21 2018
TRICK NOT THE READER
What does the cover have to do with the story? Virtually nothing.


We showed you a 1955 Avon Publications cover for Charlotte Jay's award winning thriller Beat Not the Bones, and above you see an alternate cover from Avon that came in 1966. We don't remember the main character ever being tied to a tree, and we're sure she certainly never wore the sexy rag you see here, but those are the vagaries of good girl art. Both the 1955 cover and this one depict scenes that didn't happen in the story, but the earlier version is a but more true to the spirit of Jay's tale, where the above goes for pure titillation. We love them both. This one is by the always excellent Ron Lesser, and his original painting appears below.
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Vintage Pulp Apr 29 2018
BYE BAYOU
Tough time on the front, and unwelcome back at home.


You'd never guess from the art, but The Big Kiss-Off deals with an Air Force pilot named Cade Cain who, after twelve years in Korea, returns to a life of boating around the Louisiana bayou and comes across the bodies of six Chinese men on an isolated mud flat. And on his first day back, too, which is pretty bad luck, even for a guy who got shot down and spent two years in a prison camp. He wants nothing to do with the bodies or whoever was responsible for putting them there, but somehow his old local nemesis learns of the find and before he knows it he's beaten, threatened, and told to leave town again—this time for good. Two fisted loners in mid-century fiction rarely take that sort of treatment laying down. When Cain learns that his wife has sold off his family's land, divorced him in absentia, and found comfort in his enemy's bed, something simply has to be done.

Before he gets his vengeful ducks in a row, a near-naked fugitive swims aboard his boat and the mystery deepens. Her name is Mimi Moran, because the alliteration is strong with this book. She's looking for her husband, who it happens is a pilot who flies illegal aliens into the U.S. for the bad guys. Cade Cain decides to help Mimi Moran and that's when the real trouble starts. The Big Kiss-Off is a solid yarn from Day Keene. It has the usual issues common to fiction of the 1950s, for example the hero having to constantly resist forcing himself on his beautiful passenger because he's “only human, after all.” Fortunately, even though “her flesh constantly attracted his hands like a magnet,” he contains himself—mostly. Not someone you'd want near your sister. Or any woman, really. But as a fictional hero he serves his purpose just fine.

With a setting in the endlessly fertile (for genre fiction) Louisiana bayou, and a narrative that wastes no time putting Cain in hot water, The Big Kiss-Off keeps the pages turning. It originally appeared in 1954 but the above edition was published in 1972 by Triphammer Books in Britain, with nice art by Ron Lesser borrowed from Robert Dietrich's (E. Howard Hunt's) 1962 Lancer Books thriller Curtains for a Lover. Notice how Triphammer erased part of Lesser's distinctive signature. That was obviously to keep the figure on their cropped art from looking crowded by the lettering, but we imagine it still annoyed Lesser. You can see a U.S. cover for The Big Kiss-Off in this collection of Day Keene novels we put together back in 2009.

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Vintage Pulp Aug 20 2017
THE PLEASURE IS ALL HIS
I hereby claim this land and everything in it for the British Emp—er, I mean for me!


Since we're on the subject of tropical islands (see below), here is a really beautiful cover for Adam Shaw's 1966 novel Pleasure Island. We first saw it at killercoversoftheweek, which informed us that it was painted by Ron Lesser, one of top illustrators of the mid-century era. Taking a close look at the art, it seems to us that the characters depicted are thinking two entirely different things at this moment.

Him: Wow, she's hot! I can't wait to have her. I think I'll call this place Pleasure Island.

Her: *sigh* It was nice while it lasted. Looks like we'll have to invent clothes and self defense classes now.

The locale in the story is one of the Marquesas Islands. Shaw's characters made a habit of stumbling upon natural wonders, because he followed Pleasure Island with Isle of Delight and Shipwrecked on Paradise. Safe to assume pleasures, delights, and paradise-like qualties were quickly ruined in each place. See more Lesser cover art
here

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Vintage Pulp Sep 25 2009
RAINBOW BRIGHT
For nine years the Travis McGee books featured top quality cover art.


American author John D. MacDonald’s popular Travis McGee series—all with colors in their titles—was published between 1964 and 1985. In late 1973 MacDonald released The Turquoise Lament, and from that point forward the McGee books never again featured high-quality pulp art. Lamentable, indeed. Above is a collection of covers spanning the golden period of McGee cover art, from 1964 to 1973. The artists were Ron Lesser, Elaine Duillo, Robert McGinnis, and others. 

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History Rewind
The headlines that mattered yesteryear.
March 18
1906—First Airplane Flight in Europe
Romanian designer Traian Vuia flies twelve meters outside Paris in a self-propelled airplane, taking off without the aid of tractors or cables, and thus becomes the first person to fly a self-propelled, heavier-than-air aircraft. Because his craft was not a glider, and did not need to be pulled, catapulted or otherwise assisted, it is considered by some historians to be the first true airplane.
1965—Leonov Walks in Space
Soviet cosmonaut Aleksei Leonov leaves his spacecraft the Voskhod 2 for twelve minutes. At the end of that time Leonov's spacesuit had inflated in the vacuum of space to the point where he could not re-enter Voskhod's airlock. He opened a valve to allow some of the suit's pressure to bleed off, was barely able to get back inside the capsule, and in so doing became the first person to complete a spacewalk.
March 17
1966—Missing Nuke Found
Off the coast of Spain in the Mediterranean, the deep submergence vehicle Alvin locates a missing American hydrogen bomb. The 1.45-megaton nuke had been lost by the U.S. Air Force during a midair accident over Palomares, Spain. It was found resting in nearly three-thousand feet of water and was raised intact on 7 April.
March 16
1968—My Lai Massacre Occurs
In Vietnam, American troops kill between 350 and 500 unarmed citizens, all of whom are civilians and a majority of whom are women, children, babies and elderly people. Many victims are sexually abused, beaten, tortured, and some of the bodies are mutilated. The incident doesn't become public knowledge until 1969, but when it does, the American war effort is dealt one of its worst blows.
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