|Vintage Pulp||Nov 8 2014|
The excellent promo above for Le femme et le rôdeur, aka The Unholy Wife was created by Roger Soubie, one of the best French poster artists of the mid-century period. His art drew us to the movie, which we watched only to discover Diana Dors in identical grime mode as in her prison drama Yield to the Night. Not only do both productions feature Dors locked down with her blonde tresses gone brown due to lack of available dye, but both involve her being on death row for murder. Since The Unholy Wife was the next film she did after Yield to the Night we can only assume her initial foray into crime and incarceration was such a success it needed to be repeated. Like almost exactly. Unfortunately, two visions of a bruise-eyed Dors about to receive state-sponsored revenge were too much for audiences, and her repeat excursion was roundly panned.
And sadly, we must agree. Dors is living in California and is married to a Napa winery baron, but since she’s also sharing her affections with a hot young lover, she soon ponders murdering her unsuspecting hubby for his estate. When we lived in Berkeley, just south of the California wine country, we rarely pondered anything more than sunlit grapes and a nice Schug Syrah. But okay, The Unholy Wife is a film noir, which means Dors is no more happy with her heaven-on-Earth existence than a Wall Street stockbroker is with his untaxable Cayman Islands shadow fortune. Both inexplicably want more. Dors starts the film in prison and tells her story via flashback, so we already know her schemes backfired. If only the same were true for stockbrokers. The Unholy Wife premiered in England in the summer of 1957 and premiered in France today the same year.
|Vintage Pulp||Sep 7 2011|
For fans of pulp, Anita Ekberg’s adventure Back from Eternity might be a must see—or at least a good laugh. When stormy weather forces a plane to crash land in the South American jungle, the passengers must survive the conditions, themselves, and angry Jivaro indians who want to make them into a post-flight meal. This is actually director John Farrow’s remake of his earlier film, the plot-spoilingly titled Five Came Back. But even without the earlier title, it's quickly clear that not everyone will get out of this jungle alive, and that who does depends mostly on Rod Steiger, whose character is a criminal on his way to be executed. Try to find this film if you can. It was made on the cheap by RKO, and the airplane footage is hilarious because it’s a plastic model, but you get Ekberg in a wet catfight with Phyllis Kirk, and that alone makes it worth watching, right? Back from Eternity premiered in the U.S. today in 1957. Check the trailer here.