Vintage Pulp | Jul 4 2021 |
Going under for the second time.
John D. MacDonald was a widely read author whose popularity endured, which means there are multiple editions of most of his books. We already showed you a cover for his 1963 thriller The Drowner. Here's a second version. This came from publisher Robert Hale Ltd. of England in 1964, and the art is by the incomparable Barbara Walton.
Vintage Pulp | Nov 26 2017 |
The pieces of treasure are worth a fortune. The nuggets of wisdom—not so much.
Barbara Walton art graces the dust sleeve of John D. MacDonald's A Deadly Shade of Gold. It was published in 1967 by Robert Hale, Ltd. two years after the book's U.S. debut. MacDonald's franchise character Travis McGee kicks ass and dispenses unsolicited wisdom, and while the action is fun, the philosophizing is less so. The latter is sometimes insightful when directed at civilization, but is often sweeping and incorrect when directed at civilians. Vacationers are this way. College boys are that way. Lesbians are this way. We've had plenty of experiences with all the categories of humans McGee thinks of as tedious and banal, and we found them to be as varied and interesting as any other group.
The book, though, is engrossing, built around our favorite film noir and crime fiction device—a trip to Mexico, with the action set in the fictional coastal town of Puerto Altamura. There McGee seeks to uncover the killers of a close friend and determine the whereabouts of a set of golden pre-Colombian statuettes. Five entries into the series and MacDonald seems to have hit his stride. We liked this caper, though McGee is obviously going to keep making dubious pronouncements (we sent a supposed-to-be racially insightful passage from the seventh entry Darker than Amber to a friend who'd be qualified to judge, and he said: “What idiot wrote that?”). If you're curious about the character or author you can learn more at thetrapofsolidgold.blogspot.com, pretty much the last word on all things Travis McGee and John D.
The book, though, is engrossing, built around our favorite film noir and crime fiction device—a trip to Mexico, with the action set in the fictional coastal town of Puerto Altamura. There McGee seeks to uncover the killers of a close friend and determine the whereabouts of a set of golden pre-Colombian statuettes. Five entries into the series and MacDonald seems to have hit his stride. We liked this caper, though McGee is obviously going to keep making dubious pronouncements (we sent a supposed-to-be racially insightful passage from the seventh entry Darker than Amber to a friend who'd be qualified to judge, and he said: “What idiot wrote that?”). If you're curious about the character or author you can learn more at thetrapofsolidgold.blogspot.com, pretty much the last word on all things Travis McGee and John D.