A nuzzle a day keeps the blues away.
A couple of days ago we shared a cover painted by Harry Barton, and today we're back with assorted examples in the same vein, once again showing instances of neck kissing, or variations very close to that. All of these were also painted by Barton, who clearly had a fine appreciation for female necks. Or male mouths. Whichever.
Barton was a prolific artist who through the ’50s and ’60s produced covers for Avon, Bantam, Dell, Monarch, and Pocket Books. He painted even more fronts with poses close to those seen here, for example men and women kissing normally, but today we decided to stick only to neck kissing. Which by the way is a nice way to spend a few minutes if you have a willing partner.
You're just in time. Your apartment's on fire. Someone threw matches in the window. Someone who doesn't like waiting I bet.
Whenever we see this sort of distinctively sculpted red hair on a cover femme fatale we think the artist is Howell Dodd, but Gary Lovisi's Dames, Dolls and Delinquents: A Collector's Guide to Sexy Pulp Fiction says this is actually Rudy Nappi's work on the front of Orrie Hitt's Sheba. Nappi did his share of sculpturally coifed redheads, so Lovisi is probably right. The cover banner says Sheba Irons would sell anything, which might be true, but her actual job, once she secures it, is to sell cars. She and the other employees at the dealership sucker customers into unscrupulous financing deals, but this is Hitt fiction, which means the details of the business are minimal—the recipe here is sex and scandal. The men at the dealership all want Sheba, and when they eventually find leverage they seek revenge for having been rejected. We've seen this called one of Hitt's worst books, but anyone who would say that really doesn't know Hitt. There's no worst—they're all bad. This one is solidly middle-of-the-road for him.
These are people who definitely pay attention to the poles.
When you look at lots of paperbacks sometimes a common thread suddenly jumps out at you that went unnoticed before. Such was the case a few weeks ago when we noticed the large number of characters on mid-century covers leaning against poles—light poles, telephone poles, sign poles, etc. We suggested someone should put together a collection, but of course we really meant us, so today you see above and below various characters deftly using these features of the urban streetscape as accessories. Art is from Benedetto Caroselli, Harry Schaare, George Gross, Rudolph Belarski, James Avati, et al. You can see a couple more examples here and here.
Hi, I'm your neighbor from row two, plot nine. I can't believe how massive your unit is. And your mobile home's big too.
A beautiful girl named Cherry Gordon who was abandoned by her birth mother and raised by adoptive parents gets into the porn racket, lets booze take over her life, runs afoul of the law, and even descends so far into depravity as to consort with lesbians. All this happens because she wants to be a singer and actress—so let it be a lesson never to follow your dreams. The story is written from Cherry's point of view, which is hilarious considering how little feel as a writer trashmaster deluxe Orrie Hitt has for women. But what does have plenty of feel is Paul Rader's cover for this 1963 Beacon Signal edition. No trash there.
And with two balls he goes way inside with his split finger.
In honor of the World Series and all the unintentionally sexual terminology you hear on sports broadcasts—and he manages to squirt that one up the middle!—we thought we’d share this cover for Kozy Books’ sleaze novel Squeeze Play. It was written by Walter Feldspar, whose name is a pseudonym of course, but we don’t know who occupied it. Orrie Hitt is a prime suspect though. Whoever it was, we have to give credit for cleverness—feldspar is a mineral that has no value but makes up the majority of earthly rock. He’s doubtless saying the same about his fiction—no value, but can be found everywhere. But given enough time anything can accumulate value, and such is the case with ’60s sleaze fiction. Kozy output seems more popular all the time, so in acknowledgment of that fact we have a selection of their covers below. You would not necessarily call these pieces completely successful, with their often unreadable yellow-on-white or orange-on-orange text, but in terms of promoting the product the covers told you exactly what you were going to get. The company had a habit of not crediting art, so we’ve nothing for you there. But enjoy the selection anyway, and if you want to see a real Kozy winner, check here.
Maybe you shouldn't look, but sometimes you just can't help yourself.
A couple of months ago we mentioned the popularity of keyhole themed pulp art and said we’d gather some examples. Well, today’s the day. Below are fifteen pieces of keyhole cover art for your enjoyment.
Damn. And to think I almost wore my running shoes.
Sleaze covers have a way of making light of what would be horrifying in real life and this piece by an uncredited artist is no exception. It depicts the moment the main character has her clothes torn off while working as a drive-in waitress. It’s certainly a jailable offense, but in sleaze it just leads to more of the same. Based on that description, it should be no surprise the book was written by pervert extraordinaire Orrie Hitt. Writing as Roger Normandie he originally published it as Run for Cover in 1956, then Kozy Books picked it up and re-released it as Race with Lust in 1957. You can get a sense of what the plot is from the rear cover, or peruse a longer summary here.
There are none so blind as those who won’t see that their blinds are open.
If you lower your shades or blinds all the way it’s a deterrent. But if you leave them an inch or three open, it’s really kind of an invitation, don’t you think? Everything is sexier when viewed through a crack. The Mahatma said that. Anyway, call it peeping, voyeurism, committing a misdemeanor, or just being a complete dick—it’s a time-honored plot device in pulp and sleaze fiction. Above and below are eleven of the best covers depicting the art of enjoying a cheap thrill.
The headlines that mattered yesteryear.
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
1935—Caroline Mikkelsen Reaches Antarctica
Norwegian explorer Caroline Mikkelsen, accompanying her husband Captain Klarius Mikkelsen on a maritime expedition, makes landfall at Vestfold Hills and becomes the first woman to set foot in Antarctica. Today, a mountain overlooking the southern extremity of Prydz Bay is named for her.
1972—Walter Winchell Dies
American newspaper and radio commentator Walter Winchell, who invented the gossip column while working at the New York Evening Graphic, dies of cancer. In his heyday from 1930 to the 1950s, his newspaper column was syndicated in over 2,000 newspapers worldwide, he was read by 50 million people a day, and his Sunday night radio broadcast was heard by another 20 million people.
1976—Gerald Ford Rescinds Executive Order 9066
U.S. President Gerald R. Ford signs Proclamation 4417, which belatedly rescinds Executive Order 9066. That Order, signed in 1942 by President Franklin D. Roosevelt, established "War Relocation Camps" for Japanese-American citizens living in the U.S. Eventually, 120,000 are locked up without evidence, due process, or the possibility of appeal, for the duration of World War II.
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