|Vintage Pulp||Feb 11 2018|
We usually post screenshots or production stills when we write about a film, but we won't bother with that here because our copy's image quality was blurrier than your vision after several hits of the aforementioned ecstasy. Instead we decided to share the below image of Forså. It's rare, and with Forså covering her furry bits it reminds us of the many Japanese promos we've uploaded. We think it's a beautiful shot, but others—possibly our girlfriends among them—may disagree. Well, if they have any serious objections about our website it's way too late to register them now. We're going to talk about one more of Forså's movies before consigning her to the completed bin, so look for that a bit later. You can see our other posts on her movies by clicking her keywords at bottom. Molly opened in Sweden in 1977 and premiered in Japan today in 1978.
|Hollywoodland||Jul 31 2013|
Her body drives men wild. But it isn’t Raquel Welch being quoted on the cover of this National Spotlite published today in 1967, though the juxtaposition of text makes it seem so. No, the line came from a little known actress named Donna Selby, who National Spotlite scribe Hugh Wells interviewed in London. The story is rather amusing, as Wells tells readers how Selby appeared in only a bathrobe, made a pass at him, gave him an unwanted kiss and even licked his ear. He claims to have fled the room, saying to the actress, “I predict that you’ll go places—and quickly too!” But he was wrong about that—try as we might, we can’t find mention of an actress named Donna Selby anywhere.
You have to give National Spotlite credit—unlike many middle tier tabloids of the period this one managed to actually feature relevant and semi-relevant personalities. That comes as a surprise, since it was owned by the infamous Beta Publications of Spotlite Extra and Close-Up Extra fame. But as the flagship paper, National Spotlite doubtless had a higher budget. The masthead tells us it even had offices in New York City and Montreal, which is kind of impressive. Within a few more years, though, the paper regressed to the same form as Beta’s cheaper imprints and was reduced to putting out issues like this one. Like Marlon Brando in On the Waterfront, for a while National Spotlite coulda been a contenduh. It just never quite made it.