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Pulp International - Man
Vintage Pulp Mar 23 2024
JOAN THE CLUB
A cover collection to help Bofill your day.


Below: a small set from Spanish artist Joan Beltrán Bofill, who signed his work as “Noiquet,” here working for a pair of Rotterdam based publishers illustrating novels by Edward Multon, who was an alter ego of Dutch author Herman Nicolaas van der Voort. These are from 1967 and 1968.

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Femmes Fatales Mar 22 2024
READY FOR WHATEVER
Do you prefer cold steel or hot lead? The choice is entirely yours.


So that no confusion arises, Junko Fuji, who you see in this photo, is known today as Sumiko Fuji. But back during the ’60s and ’70s she acted as Junko, and since we're a vintage site that's what we've always called her. As you can see, she's added a razor sharp wakizashi to the pistol we saw her brandishing in a similar photo a few years ago. We found this shot in a 1971 issue of the Japanese magazine Modern Romance, and it was probably originally made for her 1968 yakuza actioner Hibotan bakuto—aka Red Peony Gambler—or for one of its sequels. By the way, Modern Romance? This photo just screams romance, right? 

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Hollywoodland Mar 21 2024
ON BENDED KNEES
Strange ideas from the minds and lenses of mid-century promo photographers.
A while back we shared a promo photo of Glenn Ford and Gloria Grahame from 1953's The Big Heat that was meant to imply oral sex (it absolutely was, and you can see for yourself here). We commented on its weirdness, and noted that an actress would probably not be asked or made to pose that way today. The shot got us thinking about whether there were other kneeling promo shots from the mid-century era, and above you see two others from The Big Heat.
 
Below we have more such shots, and while none are as jarring as that previous promo, they're all interesting. We assumed there would be few if any featuring kneeling males, but we found a couple. Even so, there are probably scores more kneeling actresses that we missed. While many of shots took the form they did to highlight the criminal/victim themes in their parent films, you still have to wonder what else—consciously or not—was in the various photograhers' minds. Anyway, just some food for thought this lovely Thursday. Ready, set discuss!
Rod Taylor and Luciana Pauluzzi swap subordinate positions for 1967's Chuka.

Edmund O'Brien goes for the time honored hair grab on Marla English for 1954's Shield for Murder.

Marilyn Monroe swoons as Richard Widmark snarls for Don't Bother To Knock, 1952.

Inger Stevens and Terry Ann Ross for Cry Terror, an adaptation of a novel we talked about a few years ago.

Kim Hunter soothes an overheated Marlon Brando in a promo for 1951's A Streetcar Named Desire.

George Raft menaces Marlene Dietrich in the 1941 comedy Manpower.

As promos go, these actually make sense. They show three unidentified models mesmerized by vampire Christopher Lee for 1970's Taste the Blood of Dracula.

Glenn Ford is at it again, this time looming over Rita Hayworth for the 1946 classic Gilda.
 
Aldo Ray and Barbara Nichols for 1958's The Naked and the Dead.

This one shows less domination and more protectiveness, as Humphrey Bogart prepares to defend Ida Lupino for High Sierra, 1941.

Humphrey once more. Here he's with Lizabeth Scott for Dead Reckoning, 1947.

This shot shows Brazilian actress Fiorella Mari with an actor we can't identify in a movie we also can't identify.

Shelly Winters and Jack Palance climb the highest mountain together for I Died a Thousand Times, 1955.

As we said, we didn't find as many examples of kneeling men, but we found this gem—Cappucine makes a seat of director Blake Edwards on the set of The Pink Panther in 1963. Does this count, though? While Edwards is subordinate, he isn't kneeling and it really isn’t a legit promo.

And lastly, in a curious example, Hugo Haas seems to tell Cleo Moore to stay in a shot made for 1953's One Girl's Confession

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Modern Pulp Mar 8 2024
TOKYO PAYBACK
In Japan business is war—complete with innocent bystanders.


This brilliant promo was painted for Hana to hebi: Shiiku-hen, known in English as Flower and Snake 3: Punishment. It starred Minako Ogawa of Dan Oniroku ikenie shimai, aka Sisters To Be Sacrificed, and in fact the same painter must have produced both posters. Have a look. The central figure is almost identical, no? Right down to her hairy armpits. Since there's no official info on who the artist is we'll throw in our two cents. It was bondage painter Kaname Ozuma. He painted at least one other poster for the Flower and Snake series, which you can see here. In the meantime this piece is literally nowhere else to be found in the quality you see here. At least, as far as we can tell.

We watched the film and it's a typically perverse roman porno tale about a powerful businessman married to Minako Ogawa, who he stole from a subordinate who was helpless to prevent it. When he later declines to help a business associate out of a jam that person has Ogawa kidnapped—literally thrown into a giant bag—taken to an isolated house, sexually assaulted, and coercively trained using bondage, a kielbasa, and other esoterica in order to turn her into a performer for live sex shows. That's a hell of a twisted retaliation for being refused financial help, but twisted is what roman porno is all about.

Of technical note is the fact that, though it was illegal to show pubic hair in Japanese movies, the ever clever roman porno filmmakers found a loophole. They have Ogawa's captors, as part of her torment, cut off her pubic hair with scissors. Though it couldn't be shown attached to her body without bringing down the wrath of censors, they got away with showing it falling into bathwater. You gotta give the pervs credit. They were always thinking outside the—er—box. Hana to hebi: Shiiku-hen premiered in Japan today in 1986.

After a long day on the set filming sex and bondage...

 

I'm very happy to spend the evening doing this.

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Mondo Bizarro Feb 23 2024
DOGGY STYLE
New positions can really spice up your sex life. So can new species.


In the great state of Florida recently police were totally unsurprised when they uncovered a case of bestiality between a woman and a dog in Lee County, located in the southwest coast on the Gulf of Mexico. Samantha White, 26, was repeatedly recorded by her husband John, 29, as Samantha engaged in carnal acts with the canine, 4. The couple were outed after someone saw or became aware of videos posted online and notified local authorities. As mondo bizarro stories go, this one is out there. It's even weirder than that bag of random hands found in Russia a while back.

We picture the tawdry affair beginning by accident when Samantha mistook the dog for her husband, who looks sort of like a werewolf. She only realized her error when she and the dog got stuck together. John, who was busy in the back yard restoring his Camaro IROC-Z all this time, heard her screams for help, rushed into the house and separated the animal from his wife by throwing a bucket of cold water on their fused privates. That's the way it's said to work dog-on-dog, anyway, so why not dog-on-human? From that point we expect the Whites realized they enjoyed the weirdness of the episode—et voilà. A side hustle was born.

Unfortunately, putting videos of that type online will enrage and distress animal lovers, then likely come to the attention of police. “I am disgusted by the actions of these two residents,” commented one of the local lawmen. “I will not tolerate any kind of abuse.” Except, of course, abuse of civil rights. As a Florida law official he had to swear an oath on that. The dog, for his part, was removed to an animal shelter, and in a press conference admitted his guilt, profusely and convincingly. He's now negotiating a book deal.
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Vintage Pulp Feb 18 2024
MANILA HEAT
Caffaro knows how to Handle her business.


Why do we spend our valuable time watching exploitation movies? Well, because we watch all pulp related genres of movies, from film noir to horror. So why discriminate? We also watch such movies (which is a set we figure includes sexploitation, blaxploitation, women-in-prison, and more) because owing to their sexual, racial, and political aspects, their like will probably never be made again. Last month we completed our look at Cheri Caffaro's infamous Ginger McAllister sexploitation-spy trilogy. Now we're moving on to her later work in Too Hot To Handle, which premiered today in 1977.

Set in and around Manila, Caffaro plays an experienced and wealthy assassin named Samantha Fox who takes on a difficult triple-contract. In order to succeed she'll need all her skills of disguise, deception, and sexuality. Meanwhile the cops are on her trail. When one of the investigators gets close—real close—Caffaro takes a liking to him and, passing herself off as her alter ego Melinda Burroughs, tries to navigate sleeping with the enemy while fulfilling her murderous obligations.

All Caffaro movies are low budget, and all are bad. This one is poorly written and acted, and as usual there's a touch of the kinky, both in front of the camera, as well as behind, as Caffaro's husband Don Schain directs her getting her squeezebox fondled by hairy co-star Aharon Ipalé. That's called commitment to the product and your art—or alternatively, finding a way to monetize your spouse-sharing fantasies. It didn't improve the movie.

The only surprise here was that former top European star Corinne Calvet somehow got suckered into playing a brothel owner named Madame Ruanda, later dying as one of Caffaro's targets. Alas, Corinne—sexploitation is a welcoming mistress for those desperate to pay bills, but next time we recommend a loan shark. The vig is a bitch but at least you get to hang onto your dignity. But even if Too Hot To Handle was too bad for Calvet to be in, it isn't too bad for you to watch. Caffaro is weirdly great. In the sexploitation realm nobody did more with less.
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Vintage Pulp Feb 8 2024
A WOMAN'S WORK
I did it the same way you became a boy reporter, but with less respect and more talent.

How I Became a Girl Reporter was first published in 1951, and as the title and cover indicate, Hyman Goldberg's novel is a breezy little number about men and women who have various workplace encounters that presage romance. The book was well received, and while we were tempted to buy it to learn just how different the co-ed workplace was back then (as if we couldn't guess), venturing anywhere near the boundaries of comedy is a dodgy proposition when you're talking about this time period. Maybe we'll read it down the line. The cover art is by an unknown. 

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Femmes Fatales Feb 2 2024
CLEAN BREAK
Rub-a-dub-dub, Jayne bubbly in a tub.


Above: Jayne Mansfield poses in a bathtub with yet another of her unusual hairdos. We're thinking it's probably a wig, in whole or in part. She wore wigs often, but her real hair was almost a trademark. Even so, she was never afraid to cover it for the sake of a good shot. She even cut it occasionally, with excellent results, such as you see in the 1962 photo at right. We don't have an exact date on the bubbly tub image, but most sources place it around 1960. Want to see one her wildest hair-dos? Click this link.

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Vintage Pulp Jan 25 2024
BAITER OR WORSE
When she gets them on the hook they never get off.


The beautiful photo-illustrated poster you see above was made for the British drama Man Bait, featuring George Brent, Marguerite Chapman, and Diana Dors. We gave it a watch, and for some reason the opening credits say, “introducing Diana Dors,” though this was actually her thirteenth credited role. We won't try to puzzle out that mystery. Plotwise, Dors and her irresistible lips are the bait, as she's convinced by a lowlife male acquaintance to blackmail her boss out of three-hundred pounds by threatening to lie about him making an unwanted advance toward her. Unfortunately, Dors is a reluctant scam artist, which puts her at odds with her manipulative accomplice. To say that everything goes wrong for her because of this relationship is an understatement.

Overall, Man Bait is a good film. While Dors is adequate in her role (she was still only twenty-one, despite her previous experience), Brent and Chapman, who both had dozens of films on their résumés at this point, are flawless as the blackmail victim and his loyal employee. An undercurrent of unrequited love prompts Chapman to side with Brent even though things look pretty bad for him as the plot progresses. But there's no need to be too terribly worried—the movie was made during the Hays Code censorship era, so you know crime can't pay. Sure, the Code was American, but even British productions adhered to it if they hoped to earn a U.S. release. Man Bait did when it premiered in Los Angeles today in 1952.

In order to qualify as a temptation there has to be a chance you can resist. These are not a temptation—they're a certainty.
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Vintage Pulp Jan 19 2024
RABBI SEASON
In order to solve a murder sometimes it's best to proceed theologically.


We'd never heard of the 1964 murder mystery Friday the Rabbi Slept Late, nor its author Harry Kemelman, therefore we should be forgiven for letting the title make us think the rabbi would be the victim. He wasn't. In fact, this was the first of a dozen popular mysteries starring Kemelman's franchise holy man Rabbi David Small, and we'd never heard of the books because we live part-time in a cave. What happens is a murder victim is dumped on synagogue grounds, making the rabbi a suspect, at least among the general public. The cops don't seriously consider him one, though, and the rabbi's friendship with the investigating lieutenant grows to a point where they're working together on the case. We get to see that a rabbi's duties are wide-ranging, and for those who don't know much about Judaism, there's plenty of information along those lines too. Friday the Rabbi Slept Late is a good book with a good central mystery, and it's written well, so it's no surprise that a series resulted from its unusual premise and unique hero. We'll probably try number two if we can find it. The art on this Fawcett edition is uncredited.

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Next Page
History Rewind
The headlines that mattered yesteryear.
March 29
1951—The Rosenbergs Are Convicted of Espionage
Americans Ethel and Julius Rosenberg are convicted of conspiracy to commit espionage as a result of passing nuclear secrets to the Soviet Union. While declassified documents seem to confirm Julius Rosenberg's role as a spy, Ethel Rosenberg's involvement is still a matter of dispute. Both Rosenbergs were executed on June 19, 1953.
March 28
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
March 27
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
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