Vintage Pulp Sep 9 2012
DETAILS INDEED
When we said the Devil is in the details, we had no idea how prophetic that would turn out to be.


So, we got an email a few days ago from a reader named Paul about our Mort au diable post "The Devil Is in the Details" from last month, and we were asked if we were 100% sure the art for that poster was painted by Jacques Thibésart. Well, we thought we were. Then we realized we weren’t. Turns out the poster was from the Belgium’s S.P.R.L. Belgique, and they have a mark that, if you aren’t paying close attention, looks like Thibésart’s signature. Thibésart signed his work Nik, Tib, or with his own name sometimes, but the Mort au diable signature, which reads Wik, is obviously different (see above). S.P.R.L. is a famous press, and their signature is well known—to everyone but us, as of a couple of days ago. Below is the last portion of our reply to Paul:
 
It's actually rather interesting, because for us the site is just simple fun, and we often joke in our posts about how we don't take it seriously. However our analytics tell us that people are continually cross referencing here and using it for research, and the traffic is far larger than we ever expected [snip]. With that in mind, we pledged a while back to try and get all our information correct, and we are quite diligent nowadays, but something still slips through occasionally. Without readers checking our facts, we'd never get everything right, so you've done us a big favor.

So there you have it. Epic fail on Mort au diable, but every mistake makes us a little better. We’ve corrected the earlier post, but didn’t want the change to go unacknowledged. As it happens, yesterday we were in France, in a town called Bayonne, and at a vintage bookshop we saw another piece from S.P.R.L. Belgique. We didn’t have any Thibésart handy to use for a detailed comparison of the signatures, but there was no need—we already knew we’d gotten it wrong. Now the good news. First, we picked up a stack of great French pulp. And second, we’re going to get this Thibésart thing right today. All the great book covers below are his. They’re from the imprint Presses Mondiales for their series Amour et Police, and were published during the 1950s. 100% on this. Seriously. 

 
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Featured Pulp
FEBRUARY 1933 BEAUTE MAGAZINE
JULY 1937 BEAUTES MAGAZINE
JANUARY 1935 PARIS MAGAZINE
JANUARY 1935 POUR LIRE A DEUX
OCTOBER 1929 PARIS PLAISIRS
NOVEMBER 1933 PARIS MAGAZINE
MAY 1935 PARIS MAGAZINE
History Rewind
The headlines that mattered yesteryear.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.

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