When they say they're getting together to enjoy some girl time it may not be as innocent as it sounds.
Above, a poster for Tsumatachi no Gogo Wa Yori: Kano no Ori, which is quite a mouthful that in English was simplified to Cage of Lust: Wives’ Afternoon. The movie was adapted from a novel by Hiroko Nakayama and starred Junko Miyashita in a tale of infidelity, deception, lesbianism, etc. It's a typical Nikkatsu Studios effort, quick and easy at 72 minutes from end to end. It premiered in Japan today in 1976.
That moment when you realize your neighbors have known all along you've been watching them.
Above, a poster for Danchizuma: Kanki no yoru, aka Apartment Wife: Night of Pleasure, starring Junko Miyashita, Tatsuya Hamaguchi, and Masumi Jun. This is of course another Nikkatsu roman porno romp, with all that the label suggests. This entry was seventh in a franchise that eventually totaled twenty-one films. It premiered in Japan today in 1973.
They could not resist when they saw little Nikki grind.
Back to an actual Japanese poster today, with this promo for the roman porno movie OL nikki: Waisetsuna kankei, aka Office Lady Journal: Indecent Relations, which is about two female co-workers who totally shred company rules against fraternization. Is that even the right word when it's two women? Maybe we should go with consorting. Neither is named Nikki, by the way, though we have to thank Prince for the assist there. They're actually named Mina and Aki. Nikki means “diary” or “journal.” This is yet more output from Nikkatsu Studios, more edgy weirdness from Junko Miyashita and Akemi Nijô, and another plot way too complicated to summarize. But even if we did would it matter? By now you know whether this is your thing. Decide accordingly. OL nikki: Waisetsuna kankei premiered in Japan today in 1975.
When they say love hurts they aren't kidding.
This wintry poster for Hakkinbon bijin ranbu yori: semeru!, aka Beauty's Exotic Dance: Torture! shows star Junko Miyashita looking miserable and cold. Which actually happens in the movie. It tells the story of an artist who engages a prostitute to satiate his need for sadistic sex, which he uses to fuel his art. The prostitute, Miyashita, is a consensual partner in all this, wanting to please the artist and out-do his dearly departed wife. You gets lots of drawn out sadism involving rope bondage, asphyxiation, ice baths, scaldings with candle wax, and more. And if that isn't dark and weird enough already, matters take a really nasty turn when Miyashita turns out to have inherited something unusual from her mother. If you watch the movie, don't say we didn't warn you. Hakkinbon bijin ranbu yori: semeru! premiered in Japan today in 1977.
When it's wet outside get wet inside.
This poster was made to promote the roman porno flick Danchizuma Amayadori no Joji, which is generally known in English by the title Apartment Wife: Rainy Day Affair, but also by the more lyrical title Apartment Wife: Take Shelter from the Rain. Bored housewife Junko Miyashita attends a reunion, which sets off an affair with an ex-classmate. Sex, liberation, betrayal, consequences. Oh, and lots of rain. But the thing about rain is that the sun always comes out eventually, and Miyashita knows exactly what to do when that happens. See below. Danchizuma Amayadori no Joji—also starring Yu Mizuki, who we last saw here—premiered in Japan today in 1977.
She always had a problem letting go.
This could be a Pulp Intl. first—a Japanese movie where a foreign poster is the nicest version out there. Usually the Japanese whip all competing asses in the poster design department, but just this once the Italian iteration is better, probably because it was painted by Enrico de Seta, one of the best illustrators of the period. The movie is Jitsuroku Abe Sada, which was called in Italian Abesada—L'abisso dei sensi. That means “Abesada—abyss of the senses,” but the English title decided upon was actually A Woman Called Sada Abe. The story tracks real-life murderer Sada Abe, who habitually practiced sexual asphyxiation with her lover Kichizo Ishida, and in 1936 strangled him to death with the sash of her obi. The sensational story grew into an epic folk legend, interpreted by painters, writers, and poets, and when Japan's roman porno film genre came along the incident was a perfect fit.
Jitsuroku Abe Sada was one of several films to tackle the subject. In real life, Sada followed up her killing of Ishida by castrating the corpse and fleeing with the severed organ. The movie covers this aspect of the incident too, and eventually ends with Sada's arrest. The real life Sada was convicted of murder and other crimes, but despite begging to be executed was sentenced to prison, released after a few years, and went on to live four more interesting decades. We won't go so far as to recommend Jitsuroku Abe Sada. It has its worthwhile points, among them the reliable Junko Miyahsita in the lead, but if you're going to watch a telling of the Sada Abe incident, maybe try the more famous and more explicit In the Realm of the Senses, which appeared in 1976. Jitsuroku Abe Sada premiered in Japan today in 1975.
Do I make you horny, baby?
Morbosità di una orientale, which would translate as something like “morbidity of an easterner,” was originally a 1977 Japanese film called Tokyo Chatterly fujin, and was released in English as Lady Chatterley in Tokyo. Katsuhiko Fujii helmed the production, and Izumi Shima starred, but every other name on these promos is a Western pseudonym for a Japanese performer. Ann Charlton, Janet Glythe, Price Williams, and King Byrbo never existed except as credits created for the art you see here, and are in reality Junko Miyashita, Kyoko Aoyama, Tatsuya Hamaguchi, and Minoru Okochi. What was the point of doing that? We don’t know. Japanese films had played in Italy before without being Westernized in this way, so it’s a mystery we presume we’ll never solve.
The film keeps to the themes—but not the plot—of D.H. Lawrence’s Lady Chatterley’s Lover. When a millionaire’s son is rendered impotent by an accident, his wife succumbs to the charms of the groundskeeper’s willy, the chauffeur’s stickshift, and the construction worker’s retractable ruler. We last saw the amazingly striking Izumi Shima being molested by an invisible man, and here her paramour punches through a windowpane and fondles her through the splintered glass. That’s horny. Not to be outdone, Shima humps a tree. That’s horny. Also, a stallion fucks a mare. Really. So every living creature in this film is incredibly horny. Did it make us horny? Hey, you think we typed this with our fingers? Think again.
Japan invades the Basque Country.
This week the ever-growing San Sebastian Film Festival in the Basque Country of Spain kicked off with the usual round of premieres at the city’s Kursaal and celeb walks along the seafront on Zurriola Beach. But in the city’s old quarter in a plaza tucked between an old church, some residential buildings, and a wooded hill, a group of Japanese deejays, musicians, foodies and cinephiles launched a weeklong festival-within-a-festival they’re calling Cinema Caravan. Last night the bill included a classic Nikkatsu roman porno, the 1973 Tatsumi Kumashiro comedy Yojôhan fusuma no urabari, aka The World of Geisha, starring Junko Miyashita. The film was projected outdoors while a Bedouin-style tent served as a bar/club, and two Japanese bodegas dished up soba noodles and fish. Before and after the movie the Japanese singer Naoito played beautifully, and the rest of the time world-class deejays spun tunes. All this in a plaza redecorated to resemble to a Japanese garden.
The San Sebastian Film Festival is a worthy event, and this year’s version has stars like Hugh Jackman and Jake Gyllenhall, but it’s also expensive and chic and probably off-putting to some. Cinema Caravan, by contrast, is intimate and inclusive and everyone can feel a bit important. The event’s website says it best: Unfurling a screen for outdoor viewing in the different landscapes of our journey, we set the stage of non-routine experience in an everyday place. And in the process, we learn from those we meet on the road, their wisdom on how to live, and experience their varied cultures. Pulp Intl. is here all week, and if you’re in this part of the world (interestingly, our analytics tell us Spain is Pulp Intl.’s fifth most popular country) then consider stopping by. The festival runs through Saturday night with more movies, food, deejays, live music, dance, and fun.
What we have here is a failure to communicate.
Above is a poster for Tatsumi Kumashiro’s pinku Akai kami no onna, aka Woman with Red Hair, starring Junko Miyashita and Renji Ishabashi. How to explain this one? Well, it’s a sexual melodrama about a man and woman who embark on an obsessive affair, with a subplot about a gang raped girl who develops an attachment to one of her attackers. It’s supposed to be a commentary on misogyny and abuse, but despite the noble intent, beautiful cinematography and rain-drenched atmosphere, it didn’t do much for us. However, Miyashita won awards for her performance, and the film was well-received when released, so we’re willing to concede that it’s a piece of art that is firmly of its time (i.e., before our time) and can perhaps only be understood in that temporal and cultural context. As to the latter, we checked out some reviews and a theme that ran through them was that this is a film so Japanese in nature that it doesn’t translate well for westerners. So you know what we did? We watched it again without subtitles. Since it’s only seventy-three minutes long, we weren’t sacrificing a lot of time. And guess what happened? We understood and liked it a lot better. So take that for what it's worth. And while you’re at it, take the lovely Junko Miyashita promo poster below. It's another rare find of ours, never before seen online. Akai kami no onna premiered in Japan today in 1979.
The headlines that mattered yesteryear.
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
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