|Vintage Pulp | Politique Diabolique||Feb 4 2012|
Today we have a cover for the 1964 espionage novel Ring Around Rosy, and normally, what would be of the most interest here is yet another perfect piece of art by Robert McGinnis, but in this case we have an author whose life may have been even more rife with danger and intrigue than those of his characters. Many of you probably already know that Gordon Davis was in reality E. Howard Hunt, who was involved in the Watergate Hotel scandal which led directly to the toppling of Richard Nixon’s presidency, a landmark moment in the American psyche because it represented a loss political innocence for millions of citizens. But that all came later, when Hunt was pushed unwillingly into the light after the bungled Watergate operations. What makes him fascinating is everything that came before.
E. Howard Hunt was a dedicated writer in his early years, and after winning a Guggenheim fellowship, went on to publish as the aforementioned Davis, as well as Robert Dietrich, and David St. John. He joined the CIA in 1949, and was stationed in Mexico City along with William F. Buckley. While there, he helped plan the overthrow of Guatemala’s president Jacobo Arbenz, which brought about unrest that funneled into a civil war in which 200,000 people were killed, about 90% of them civilians. A few years later Hunt helped to create a Cuban government-in-exile that would take over that island after Fidel Castro was ousted by U.S.-backed Bay of Pigs insurgents. The invasion didn’t come off as planned, though, and the fallout was damaging enough that Hunt needed to rehabilitate his career.
He took a position as chief of the CIA’s illegal domestic spying branch the Domestic Operations Division shortly after its formation in 1962 by John F. Kennedy. The idea behind the Division was to spy on enemies inside the U.S., which ostensibly meant acting against foreign embassies that might be harboring spies, but in a classic—and inevitable—example of mission creep, pretty soon the Division began illegally spying onAmerican citizens, specifically civil rights activists. After a couple of years Hunt was re-stationed in Mexico City, where sources claim he had dealings with Lee Harvey Oswald in the time leading up to Kennedy’s assassination. Hunt categorically denied ever meeting Oswald, though he later made revelations regarding Kennedy. In any case, being on the government payroll wasn't what he wanted to do anymore—he never got over his anger at Kennedy’s refusal to invade Cuba or overthrow Castro—so he decided to get into the private sector.
This eventually led to him becoming a member of Richard Nixon’s Special Investigations Unit, aka the White House Plumbers, which were both fancy names for the collection of men who were the President’s secret fixers. This was exactly the sort of off-the-books work Hunt had been seeking. It allowed him to remain in the black ops game, but freed him from accountability to layers of career bureaucrats. Under Nixon’s direction and that of White House Special Counsel Charles Colson, Hunt broke into various residences—in violation of both property and spying laws—looking for dirt on people such as reporter Daniel Ellsberg and politician Teddy Kennedy. He was also involved in disinformation campaigns, such as forging fake cables suggesting that John F. Kennedy had ordered the assassination of foreign officials, and trying (but failing) to link a would-be assassin to Democrats by planting George McGovern campaign material in the house of Arthur Bremer, the man who shot conservative politician George Wallace.
We’ve drifted pretty far away from the subject of Ring Around Rosy (which by the way is an adventure concerning Cuba, as were several of Hunt's books), but let’s drift a bit further, and make this point: isn’t it fascinating that in an age in which so many conspiracies have been documented andverified, people are still afraid to believe behind-the-scenes machinations are what really make the planet go ’round? Hunt's dirty tricks are all a matter of record, and had profound effects on international affairs, yet many would like to believe he is a rarity. But whether we're talking about hushed meetings in political backrooms or secret get-togethers between bankers at private clubs, conspiracies are the engine of the world. It isn’t a nice realization, but it’s a logical one.
Hunt wrote novels throughout his black ops years, but as time wore on often used his literary gift to grind axes, modeling characters after men he hated. For example, JFK appeared thinly disguised in the 1972 political potboiler The Coven, in which a youthful, charismatic, Catholic presidential candidate is a secret Devil worshipper. The quality of Hunt’s fiction had declined since his Guggenheim fellowship days, according to many critics, but his name and background guaranteed sales, and still does today (as any Hunt-related internet comment chain, with their pronouncements about his “real deal tough guy” qualities, makes quite clear).
At the end of his life, Hunt dropped a bombshell by confessing to involvement in a conspiracy to kill John F. Kennedy. He described himself as a “benchwarmer” in the plot, i.e., somebody to be brought in if the first team failed, and named everyone involved. The confession was made to his son, which gave rise to questions about both veracity and motive. But if Hunt had confessed on the front page of the Washington Post can wereally doubt that there would still be droves of people unwilling to accept it? It makes sense, though. If Watergate stole the political innocence of millions of Americans, proof of an assassination plot by members of the U.S. government against their own president would be a national cataclysm. So Hunt’s confession is forgotten, while everything else he ever did, survives.
|Intl. Notebook||Nov 25 2011|
This later period National Police Gazette published this month in 1972 is packed with scandal and intrigue, with stories on Vegas dealers, Washington, D.C. politics, Soviet assassins, and Hollywood activism. The activism story focuses on Jane Fonda and her shunning of Tinseltown trappings to devote herself to various causes. The most cringe-worthy line is when editors express curiosity at her advocating for “redskins.” Readers are reminded that even though Fonda was lately wearing her hair short and dressing in jeans and t-shirts, she was once a babe, and for proof they include a photo of her in costume as Barbarella. The story itself serves as an indication of one thing the women’s lib movement was fighting—the male perception that women could be only one of three things: beautiful ornaments, loyal partners, or royal pains. Fonda’s intellect was inconvenient for fans and studio execs alike, but her status forced people to listen to what she said.
The Washington story is a bit more convoluted. Editors claim that the Kennedy clan forced 1972 presidential candidate George McGovern to axe his original vice presidential running mate Tom Eagleton in favor of Sargent Shriver, who happened to be a Kennedy in-law. The story carries no quotes, attributions, or corroborating sources of any sort. It’s written as a narrative and is disdainful in tone. In a sense, it’s similar to the responsibility-free journalism seen on American cable television today. But was the story true? Very possibly. The Kennedys had substantial influence in the Democratic Party at the time. Did their choice matter? No. McGovern lost anyway. Scans below.