 You can stop trying to convince me not to shoot you. I decided on this course of action weeks ago. 
Faith Domergue unleashes a steely gaze in this promo photo made for her 1950 film noir Where Danger Lives. Where danger lives is in her eyes, without doubt. While this is an amazing photo, we were nonplussed by the movie. We liked Domergue better in This Island Earth, which is cheesy but fun, and we kind of enjoyed her in the dumb horror flick Cult of the Cobra. She made a lot of movies, so maybe we'll keep trying them until we find one we think is great.
 Sometimes it even has a small calibre firearm.  
We have two brilliant items above—a pair of Italian promo posters for When Danger Lives, starring Robert Mitchum and Faith Domergue. The first was painted by Averardo Ciriello, and the second is the work of Giorgio Olivetti. Both artists are geniuses. In Italy the movie was called Una rosa bianca per Giulia. That would translate as “a white rose for Julia,” which was the working title of the movie while it was under production. The Ciriello poster is similar to the U.S. promo, but executed with more detail. Not to be outdone, Olivetti is less intricate but depicts a more desperate struggle, electing to paint Domergue unarmed—unless she's holding a gun to Mitch's head, in which case it would be a very short struggle. However, while Mitchum is getting the better of her on both posters, in the movie she tries to smother him with a pillow, so their relationship is—in a weird way—equal. You can read more about it here. After premiering in the U.S. in 1950, Where Danger Lives opened in Italy today in 1951.
 G.I. foe: the rise of the cobra. 
Some promo posters work exactly as intended. We saw this one for Cult of the Cobra and immediately dropped everything to find the film. We knew it was going to be a cheesy b-movie because we'd never heard of it before, and perhaps having low expectations is the key to enjoying it. In the story six American G.I.s in (presumably) India decide to alleviate their boredom by attending a local cobra cult's ritual. When they disrupt the ceremony in spectacularly boneheaded fashion the high priest curses the group. They pay no attention to this at all.
They return to the U.S. not knowing they've been tracked there, but when they start dropping dead they think, “Hey, didn't that high priest dude curse us?” Yes, he did. In fact, he specifically said the cobra goddess would kill them one by one. Missy Misdemeanor Eliot once memorably rapped in her hit song “Slide,” Behind every curtain there's a snake bitch lurkin', and that neatly encapsulates the problem for the surviving G.I.s—they realize they're in trouble but have no idea who their nemesis could be.
But we viewers don't have to guess. Their homicidal stalker is Faith Domergue, raven haired veteran of many beloved sci-fi and horror films, including This Island Earth and The Atomic Man. She also starred in dramas such as Vendetta and Where Danger Lives. She's an unusual looking woman but here her sleepy-eyed beauty really works. You can almost believe she'll turn into a snake at any moment. Check her out:
 Definite snakelike qualities, right? Cult of the Cobra is a bad but fun Universal International cheapie, what we like to call a popcorn muncher, a time killer you can enjoy and forget immediately thereafter. Its main attractions are Domergue as the snake woman, the luscious Kathleen Hughes as the hero's love interest, and some amusing cobra-vision sequences. And that amazing promo poster. We also have the alternate U.S. promo and Australian promo below. Cult of the Cobra slithered into cinemas for the first time today in 1955.          
 Clearly they have consent issues. 
Monsters may be horrible but you can't fault their taste. To borrow a line from one of their number, they're automatically attracted to beautiful. It's like a magnet. We wonder if it's possible their need is an unconscious manifestation of the id of male Hollywood screenwriters. Or were the writers deliberately making commentaries about male power, nuclear paranoia, and environmental degradation? Well, those are questions for smarter people than us. We take monsters at face value. Maybe that's not what we mean—some don't even have proper faces. What we mean is we judge them as individuals. Most monsters are direct, like Pongo, above, trying to impress Maris Wrixon in the 1945 movie White Pongo, while some, on the other claw, are more circumspect. But the language barrier usually sabotages their delicate efforts. “I know an independently owned café that serves a killer macchiato,” comes out as a series of glottal grunts. “I loved La La Land too and I think the naysayers are mainly joyless jazz purists,” comes out as a sustained sodden hiss. Even if these vocalizations could give a true indication of the inner depths of a monster's personality, women generally wouldn't give them a shot anyway, because despite what they say, looks really do matter. What's a monster to do?  This Island Earth, with Faith Domergue.
 The Time Machine, with Yvette Mimieux.
 Creature from the Black Lagoon, with Julie Adams.
 The Alligator People, with Beverly Garland.
 The Man from Planet X, with Margaret Field.
 Robot Monster, with Claudia Barrett.
 The Beach Girls and the Monster, with Sue Casey.
 The Monster of Piedras Blancas, with Jeanne Carmen.
 The Day of the Triffids, with Janette Scott.
 It! the Terror from Beyond Space, with Shirley Patterson.
 I Walked with a Zombie, with Christine Gordon.
 From Hell It Came.
 I Was a Teenage Werewolf, with Dawn Richard.
 It Conquered the World, with Beverly Garland again crushing a monster's hopes for love and fulfillment.
 El retorno del Hombre Lobo, aka Night of the Werewolf.
 Empire of the Ants, with Joan Collins.
 I Married a Monster from Outer Space, with Gloria Talbott.
 The Wolf Man, with Evelyn Ankers.
 Wanna go out with me Friday? Oh, you’re committing suicide that night? How about Thursday? 
Above is one of the great film noir posters—the three-sheet promo for Where Danger Lives (presumably de-seamed by some enterprising Photoshopper). The movie starred Robert Mitchum, Faith Domergue, and the always excellent Claude Rains, and deals with a doctor who gets involved with a suicidal patient, a situation that simply can’t end well. Like most noirs, Where Danger Lives is well regarded today, but it’s strictly second tier. That's just our opinion. Some very knowledgeable reviewers love the movie. The problem for us is that Mitchum takes a blow to the head and never recovers from it, and watching him stagger around for half the flick's running time making bad decisions because of a concussion just didn’t engage us. More importantly there’s no real basis for his relationship with Domergue. Writing it into a script is not enough—the actors need to establish chemistry and heat to make recklessness understandable. When you start asking questions like, “But why would he have any interest in this crazy chick when he already has a great girlfriend?” (Maureen O'Sullivan) you know the movie is fatally flawed. If you like noirs, you might be inclined to give this one’s failings a pass—after all, even so-so noir is better than 90% of what’s coming out of Hollywood today. And it has Mitchum, who’s also better than 90% of what’s coming out of Hollywood today. Where Danger Lives premiered in the U.S. today in 1950.
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The headlines that mattered yesteryear.
1923—Yankee Stadium Opens
In New York City, Yankee Stadium, home of Major League Baseball's New York Yankees, opens with the Yankees beating their eternal rivals the Boston Red Sox 4 to 1. The stadium, which is nicknamed The House that Ruth Built, sees the Yankees become the most successful franchise in baseball history. It is eventually replaced by a new Yankee Stadium and closes in September 2008. 1961—Bay of Pigs Invasion Is Launched
A group of CIA financed and trained Cuban refugees lands at the Bay of Pigs in southern Cuba with the aim of ousting Fidel Castro. However, the invasion fails badly and the result is embarrassment for U.S. president John F. Kennedy and a major boost in popularity for Fidel Castro, and also has the effect of pushing him toward the Soviet Union for protection. 1943—First LSD Trip Takes Place
Swiss scientist Albert Hofmann, while working at Sandoz Laboratories in Basel, accidentally absorbs lysergic acid diethylamide, better known as LSD, and thus discovers its psychedelic properties. He had first synthesized the substance five years earlier but hadn't been aware of its effects. He goes on to write scores of articles and books about his creation.
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