Vintage Pulp Nov 8 2017
TROUBLE AFOOT
Uh, guys? Remember when you said there was no reason for panic because she always makes it home in one piece?


The art on this Handi-Book edition of Edward Ronn's, née Edward S. Aarons' 1950 thriller Dark Memory isn't what you'd call masterfully executed (we've never see a foot that had a straight little toe), but it sure makes you look twice, and that's really the point. It was painted by Mike Privitello. The art on the other editions is interesting too, and we've uploaded those for the sake of comparison.

Also published as The Art Studio Murders, the novel opens with a man pushed in front of a subway train. He survives only to endure a blow to his art career when the paintings he's been toiling over for years are destroyed days in advance of a big exhibition. This atrocity is followed by the murder of a friend. At that point he flees to a bucolic island, but quickly learns that whoever is after him is not someone he can shake with a mere change of area code.

Aarons authored more than 80 novels during a long career spanning the 1930s through 1970s. Six more novels appeared after he died in 1975, but these were built from partial manuscripts and were ghost written by Lawrence Hall. We haven't actually read any Aarons, but considering his output we'll almost certainly run across him in our local used paperback outlet at some point. When we do we'll report back.

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Vintage Pulp Feb 14 2017
BLOODY VALENTINE
In the end she didn't think saying it with flowers would get her true feelings across.

Tired of the rampant commercialism of Valentine's Day? So is the woman on the cover of Edward Ronns' 1955 thriller Say It with Murder. Too bad she doesn't live where we do, where there's no such holiday. This cover is from Australia's Phantom Books, a company we've been featuring often of late, and as we've mentioned, Phantom had a habit of using reconstituted art. You can see exactly what we mean by looking at the front of the 1954 Graphic Books edition, with its excellent work from Lou Marchetti. We still don't know exactly why Phantom changed its covers. A rights usage issue, we suppose. But if that's the case, why was the company able to get away with making near copies of the originals? We'll keep exploring this question until an answer presents itself.

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Vintage Pulp Feb 2 2017
THROW IN THE COWL
Off with the hoodie, Bieber! Your days of shitty music and cultural appropriation end here and now.

Edward Ronns churned out about eighty novels over the course of his career, writing under his birth name Edward Aarons, and also as Paul Ayres. He wrote a novel called Death in the Lighthouse in 1938, which Australian imprint Phantom Books published as Cowl of Doom in 1954 with the curious cover art you see above. Plotwise, a man with a head injury—caused by a bullet—awakens in the apartment of woman he doesn't know and quickly realizes he's somehow lost three years. As usual, Phantom gives no artist info so we don't know who the brush behind this was. And yeah, we know we should stop ragging on Bieber, but we're getting better. Last time we compared him to Hitler.  

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Vintage Pulp Jul 10 2015
GIRL MEETS CORPSE
What do you call forty dead men? A good start.

Two years ago we shared five covers of women standing over men they had just killed and mentioned that there were many examples in vintage cover art of that particular theme. Today we’ve decided to revisit the idea in order to reiterate just how often women in pulp are the movers and shakers—and shooters and stabbers and clubbers and poisoners and scissorers. Now if they do this about a billion more times they’ll really be making a difference that counts. French publishers, interestingly, were unusually fond of this theme—so egalitarian of them. That’s why many of the covers here are from France, including one—for which we admit we bent the rules of the collection a bit, because the victim isn’t dead quite yet—of a woman actually machine gunning some hapless dude. But what a great cover. We also have a couple of Spanish killer femmes, and a Dutch example or two. Because we wanted to be comprehensive, the collection is large and some of the fronts are quite famous, but a good portion are also probably new to you. Art is by the usual suspects—Robert Maguire, Barye Phillips, Alex Piñon, Robert Bonfils, Robert McGinnis, Rudolph Belarski, et al. Enjoy. 

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History Rewind
The headlines that mattered yesteryear.
November 18
1916—First Battle of the Somme Ends
In France, British Expeditionary Force commander Douglas Haig calls off a battle against entrenched German troops which had begun on July 1, 1916. Known as the Battle of the Somme, this action resulted in one of the greatest losses of life in modern history—over three-hundred thousand dead for a net gain of about seven miles of land.
1978—Jonestown Cult Commits Mass Suicide
In the South American country of Guyana, Jim Jones leads his Peoples Temple cult in a mass suicide that claims 918 lives, including over 270 children. Congressman Leo J. Ryan, who had been visiting the makeshift cult complex known as Jonestown to investigate claims of abuse, is shot by members of the Peoples Temple as he tries to escape from a nearby airfield with several cult members who asked for his protection.
November 17
1973—Nixon Proclaims His Innocence
While in Orlando, Florida, U.S. President Richard Nixon tells four-hundred Associated Press managing editors, "I am not a crook." The false statement comes to symbolize Nixon's presidency when facts are uncovered that prove he is, indeed, a crook.
November 16
1938—Lysergic Acid Diethylamide Created
In Basel, Switzerland, at the Sandoz Laboratories, chemist Albert Hofmann creates the psychedelic compound Lysergic acid diethylamide, aka LSD, from a grain fungus.
1945—German Scientists Secretly Brought to U.S.
In a secret program codenamed Operation Paperclip, the United States Army admits 88 German scientists and engineers into the U.S. to help with the development of rocket technology. President Harry Truman ordered that Paperclip exclude members of the Nazi party, but in practice many Nazis who had been officially classified as dangerous were also brought to the U.S. after their backgrounds were whitewashed by Army officials.
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