Above and below are assorted scans from an issue of Screenland published this month in 1940. The issue we posted previously was from 1923. In the intervening years contributor Delight Evans had become editor, and as a result had become one of Hollywood’s most powerful starmakers. Evans was uniquely talented and got her break when, as a fifteen-year-old, she had a story purchased by Photoplay. That was in 1915. By 1917 she was working for Photoplay in Chicago, and quickly ascended to an associate editor position there. At least one online source says she was an editor at Screenland by 1923, but even for someone that gifted twenty-three is a bit young to be helming one of America’s biggest magazines. We have an issue from December 1923 and it was Frederick James Smith in the corner office. But Evans was in charge by at least 1934, which we can confirm because we have an issue from that year too. When did she actually take the reins? No idea. This is where it would be nice to click over to a Wikipedia page or something, but she doesn’t have one. A trailblazer like this—can you believe it? But we shall dig. Evans needs some online exposure, so we’ll see what we can do. Twenty-one scans with a galaxy of stars below. 

This photo of Elsie Connor looked to us as if it had been Photoshopped in a very interesting way but it wasn’t—we found a version on Getty Images and it was identical to what you see above. The image and the fact that she’s identified as an Irish boxing champion on various websites made us curious about her career, but after a bit of digging we discovered that she was actually a dancer and chorus girl, and appeared in the 1930 musical Earl Carroll's Sketch Book, the 1929 shows Fioretta and Earl Carroll’s Vanities, and the 1928 production Here’s Howe. That’s a pretty short career, and one that lacked any starring roles, but thanks to the internet she’s famous again, looking like a real world beater. The only thing is, we doubt she was ever a boxer. We can’t be 100% sure, but with no evidence that she ever stepped into a ring, as well as a very clear understanding of how often the world wide web is world wide wrong, we suspect this is just a very, er, striking publicity photo. It dates from 1931. 

The above photos show three bathing beauties picketing a showing of Jean Renoir’s 1945 drama The Southerner. If you’ve ever seen the movie you know there’s really nothing controversial in it, so you won’t be surprised to learn that the picket was a publicity stunt dreamt up by theatrical producer and director Earl Carroll to promote both his theater in Hollywood and his Earl Carroll Girls. Bathing suit picket lines were a favorite Carroll trick. He even once picketed himself, arranging for half a dozen sign-carrying girls to march in front of his own theater. The Southerner premiered today in 1945.  

Below are scans from a March 1939 issue of Click, a humor and photo monthly published out of Philadelphia. Information is scarce on this one, but it appears to have been published approximately between 1938 and 1944. We got the images off the website Darwination, at which there hasn’t been much activity of late. Hopefully they’ll get going again over there sometime soon. In the meantime enjoy the scans.

Above, the cover of Laff magazine from July 1952, featuring Kalantan, who began life as Mary Ellen Tillotson and earned success as a burlesque dancer. Laff also offers up images of opera singer Frances Yeend, model Eugenie Bennett, actress Joi Lansing (called “Joy” here), and others, all below. If you’re curious, you can see Kalantan shake her moneymaker here.