Vintage Pulp Jul 8 2018
SINK OR SWIM
Lizbeth Scott finds herself floating on an ocean of tears.


Playwright John Guare once compared money to life preservers. People are just as desperate for money as someone in the ocean is for a way to float. They may be swimming fine, but without that life preserver they could go down in rough water and disappear without a trace. In Too Late for Tears a married couple that are swimming fine suddenly find themselves with an excess of life preservers when a bag of money lands in their car. We mean it literally—it comes out of the night and plops into the back seat of their convertible. It's a lot of money—$100,000, which would be more than a million bucks today. The couple don't really need this cash but they can't make themselves give it up. Which leads to serious problems when the crook who accidentally threw the bag into their car comes looking for it.

The promo poster is interesting. It shows bad guy Dan Duryea trying to make Lizbeth Scott tell him where the money went. But Scott's tough. She'll endure anything to keep the hundred grand. As an allegory about greed Too Late for Tears runs on a couple of tracks, but the way it suggests that the craving for money can make a woman forgive—or perhaps pretend to forgive—the unforgivable is a pretty potent commentary. Some viewers may find the very suggestion offensive, which is where thinking of the money as life preservers helps. What price wouldn't a rational person swimming in the ocean pay to guarantee that they would never drown? Too Late for Tears asks the question and the answer isn't pretty. It premiered in the U.S. today in 1949.

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Vintage Pulp Nov 16 2017
1-1000 NIGHTS
The real counterfeit is the film.


Southside 1-1000, which premiered today in 1950, is a crime drama in documentary style about the U.S. Secret Service chasing counterfeiters. It opens with narrated propaganda about the free world (the U.S.) fighting the enslaved world (commies), complete with Korea combat footage. The narration then morphs into a paean to the U.S. dollar before finally setting the stage for a story about a wave of funny money originating from a California prison. Any plot nuance is overshadowed by b-level acting, along with the voiceover and its message—that the Secret Service is holy and the dollar is noble. One character even corrects his minister, who had said in his sermon that money is the root of all evil. “But that isn't what Paul said in his epistle to Timothy,” this sad sack intones. “He said love of money is the root of all evil.” Is there really a distinction there? Semantically, yes. Realistically, no.

But at least the movie is honest about its intentions—to indoctrinate, with entertainment a distant secondary consideration. As with all older films, reviews on Southside 1-1000 are generally positive. But that's due to what we call the flickering celluloid effect—any old film will seduce certain viewers by virtue of the inherent romance of its setting. All those old cars. Those elegant dresses. And the hats! One thing we try to do here at Pulp Intl. is be nostalgic (for an era we never lived through, but whatever) while avoiding being blinded by it. Yes, popular movies were, in our opinion, generally better back then, but the percentage of debacles was, objectively, still fairly high. Southside 1-1000 has a single redeeming sequence—a fight involving an overpass, a speeding train, and a villain the audience isn't sure is a villain until late in the film. Otherwise, it's a turkey, but with promo art worth sharing anyway.

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History Rewind
The headlines that mattered yesteryear.
September 25
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
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