In film noir crime is always the road to ruin.
Looking at the promo poster for 711 Ocean Drive you'll notice that it claims to have been filmed under police protection. Apparently organized crime interests were so incensed by the movie they tried to quash its production. We seriously doubt this is true, but a little white lie in service of cinematic thrills never hurt anyone, we guess. The movie stars Edmond O'Brien in the story of an L.A. telephone worker who uses his genius for electronics to rise to the pinnacle of the illegal bookmaking racket. Once on top he comes to the attention of east coast operators, who move in on his set-up, cut him in for half, but promptly cheat him of his percentage. He won't accept that, but his solution to the problem leads to more trouble.
We won't go into detail, but since the story is narrated by an FBI agent you know from the opening moments that O'Brien loses. The only question is how badly. The film would be better without the voiceover, but we suppose audiences of the day needed that good ole crime-doesn't-pay lesson hammered home. Since real life doesn't provide it, at least escapist cinema can. One aspect of the movie that pleasantly surprised us, though, was O'Brien's plan to retire to Guatemala. It isn't often that mention of our former home pops up in an old flick. Audiences must have thought the scheme was ridiculous, but seventy years ago Guatemala must have been one of the garden spots of the world. Certain parts are still lovely even today. Too bad O'Brien never makes it. 711 Ocean Drive premiered today in 1950.
Short of breath? Accelerated pulse rate? It might not be the altitude.
Since we're from Denver (we know it's tough to keep track because we've written about living in L.A., San Francisco, Guatemala, and the Philippines, but we are indeed from the Mile High City) we thought we'd share this promo for the Noir City Film Festival's new Denver edition. This particular noir fest (there are several) is affiliated with the San Fran fest, so it's not a surprise to see that they're reusing the art from the 8th San Francisco get together. What is a surprise is that the event is at the Alamo Drafthouse in Littleton—i.e. suburbia. Usually these events are held at historic cinemas such as the Castro in San Francisco or the Egyptian in Los Angeles. Denver has a few landmark cinemas, including the Mayan right in the city center. We assume it wasn't available. But on the plus side crime author James Ellroy will be co-hosting at the Alamo along with Film Noir Foundation president Eddie Muller. The festival will be a quickie—three days and six great thrillers: The Prowler, 711 Ocean Drive, Wicked as They Come, The Lineup, He Walked by Night, and I Walk Alone. Denverites, we highly recommend seeing film noir on a big screen. Opportunities in cities like New York, San Fran, L.A. and Chicago abound. Opportunities in the mountain west are rare. Take advantage.