The gun? Sorry to say that’s so I can deal with about 200 pounds of excess baggage I don’t want on this trip.
The Blonde and the Boodle, from Sexton Blake Library, entry number 394, is a labyrinthine tale by British author Jack Trevor Story of thwarted love and a thwarted bank heist. Basically, girl marries a crook, girl is influenced to rob bank, girl loses loot, girl decides husband is louse, girl looks for replacement, girl selects someone even worse than her first choice. All very interesting, but what we really wanted to do was share the amazing art, which is by Fernando Carcupino, a man so respected as an artist he was knighted. Really—in 1983 he was made a Knight of the Order of Merit of the Italian Republic. That takes talent. Sexton Blake books have a vertical cover banner, but we’ve cropped that so you can see Carcupino’s work a bit more closely. For the purists among you we've uploaded the full cover as well. We’ll try to dig up more examples of this genius’s output later.
Tips for perking up a wilting flower.
This beautiful poster was made for the drama Kaben no shizuku, which was known in English as Beads from a Petal, as in beads of moisture. A lot of Japanese softcore movies have titles referencing beads of moisture, or dew, or the various parts of flowers, such as pistils and petals and whatnot. In this one Rie Nakagawa plays a married woman who is unfulfilled by sex. When her husband strays, the betrayal sends her seeking help, which she eventually gets from a psychiatrist (an ex of hers actually, which we're sure is unethical, but whatever) and he is able to determine that her aversion to sex has to do the repressed memory of having seen her parents making love when she was young. Do you need to know more? We thought not. Kaben no shizuku premiered in Japan today in 1972.
She always had a problem letting go.
This could be a Pulp Intl. first—a Japanese movie where a foreign poster is the nicest version out there. Usually the Japanese whip all competing asses in the poster design department, but just this once the Italian iteration is better, probably because it was painted by Enrico de Seta, one of the best illustrators of the period. The movie is Jitsuroku Abe Sada, which was called in Italian Abesada—L'abisso dei sensi. That means “Abesada—abyss of the senses,” but the English title decided upon was actually A Woman Called Sada Abe. The story tracks real-life murderer Sada Abe, who habitually practiced sexual asphyxiation with her lover Kichizo Ishida, and in 1936 strangled him to death with the sash of her obi. The sensational story grew into an epic folk legend, interpreted by painters, writers, and poets, and when Japan's roman porno film genre came along the incident was a perfect fit.
Jitsuroku Abe Sada was one of several films to tackle the subject. In real life, Sada followed up her killing of Ishida by castrating the corpse and fleeing with the severed organ. The movie covers this aspect of the incident too, and eventually ends with Sada's arrest. The real life Sada was convicted of murder and other crimes, but despite begging to be executed was sentenced to prison, released after a few years, and went on to live four more interesting decades. We won't go so far as to recommend Jitsuroku Abe Sada. It has its worthwhile points, among them the reliable Junko Miyahsita in the lead, but if you're going to watch a telling of the Sada Abe incident, maybe try the more famous and more explicit In the Realm of the Senses, which appeared in 1976. Jitsuroku Abe Sada premiered in Japan today in 1975.
, Jitsuroku Abe Sada
, Abesada—L'abisso dei sensi
, A Woman Called Sada Abe
, In the Realm of the Senses
, Junko Miyashita
, Eimei Esumi
, Enrico de Seta
, poster art
, roman porno
, movie review
Yup. Done gave myself more’n a few scars over the years with this trick but I got it down pretty good now.
The cover art by Robert Bonfils makes The Passion Cache look like a western but it’s actually set in the present day, or at least 1968, which is when Don Bellmore, aka George H. White, wrote the book. It deals with two fraternity buddies who go looking for twenty-thousand dollars worth of Spanish gold in the mountains above El Paso, Texas. But this is sleaze fiction, not adventure fiction, so the quest for gold is really secondary to the main character Jud’s quest to do some prospecting between the thighs of his friend’s wife Viola, an Indian girl named Desert Rose, and an eager virgin/tomboy named Sally. He’s successful on all counts, multiple times. Does he eventually end up with the gold? No, but he ends up with Desert Rose, and that’s pretty much what these books are all about.
Junko can’t come to the phone right now—she’s taking dictation.
OL nikki: Nureta satsutaba premiered in Japan today in 1974 and starred Aoi Nakajima as a woman named Junko who’s seduced by a banker involved in a scheme to embezzle 900 million yen. That’s like $350 in U.S. money. Just kidding—it’s actually a shade over a million dollars in 1974, we think. We gather that the inspiration for this film was an actual embezzlement scheme at Tokyo’s Shiga Bank. The “OL” of the title stands for “office lady,” and the entire title would translate roughly as “office lady diary: wet wad of money.” Hah hah. Wad. Um, this was the fourth entry in what was a very popular series, with seven made all together, though not all starring Nakajima. We have posters for other OL movies and we’ll get those up down the line, hopefully.
Tinkle, tinkle, little star.
Joyce Compton, née Olive Joyce Compton, launched her Hollywood career in 1925 and managed a few uncredited roles before being named one of the Western Association of Motion Picture Advertisers’ Baby Stars in 1926. WAMPAS Baby Stars was an award that each year singled out thirteen young actresses on the cusp of fame, and Compton went on to appear in well over one-hundred films during more than five decades in show business. The shot above is a First National Pictures promo from 1926 showing her modeling a tinkle garter, which was a garter belt with bells on it. To what end? Don’t ask us. It was the twenties, so maybe they helped women be heard above all the roaring.
Well, I suppose we can. But only as long as you keep a peel on it—I don't want those little seeds of yours taking root.
You ever get the feeling publishers sometimes used whatever art they had sitting around? You certainly would in the case of David Dortort's 1948 paperback Burial of the Fruit, which is a “gripping novel of youth in the slums.” A slum that had a nice expanse of wetlands and recreational boating, apparently. Yes, there's nature around Brooklyn, where the novel takes place and the anti-hero takes his sweetheart out there, but you'd think this was a rural saga if not for the cover blurb. Later editions had more appropriate art. The book tells the story of Honey Halpern—a male—who becomes the leader of a gang of killers for hire. Basically, it's the story of Murder, Inc., turned into fiction. This was Dortort's debut and it got rapturous reviews and earned him comparisons to some of the greatest contemporary authors alive. But he wrote only one other novel and never did become an immortal in the literary world. Instead he's remembered for creating the television show Bonanza. Maybe that isn't as respectable as being a master novelist, but we bet he made way more money. The cover artist here is Ann Cantor.
At least she made her one shot memorable.
The above Technicolor print features American model Joann Burgess in an image from 1960 that was also featured on the cover of Modern Man magazine in January 1961. We looked everywhere, but we’re unable to find any record of Burgess apart from the two examples you see here. But at least her one appearance tends to stick in the mind, which is why it's appropriate it's titled “Memories.” See more Technicolor lithos here.
Wow! He's really mastered some hot licks!
There's something special about how a great talent handles his instrument, right? It becomes an extension of him. A real virtuoso uses every technique in his repertoire—double and triple tonguing, lip trills, circular breathing, and of course quick valve water emptying—until it all comes together in one climactic crescendo. By the way, if you don't know what quick valve water emptying is, well child, you better ask somebody. In the past most players were men, but of late there are plenty of women who blow masterfully. The best often do dates in the legendary Trumpet City. That place is tops... Um, yeah. 1961 on this, with Robert Bonfils art.
The prince and the pauper are one and the same.
This striking promo for the Mexican comedy El rey del barrio was painted by Ernesto Garcia Cabral, who we discussed briefly in this post featuring a small collection of his creations. Garcia Cabral was born in Huatusco, Veracruz and would become one of the most published artists in Mexico, churning out cartoons, caricatures, and general illustrations. His early work, with its stylishly elongated flappers and sheiks, fits right into the art deco period, and his later work evolved to take on the form you see above. El rey del barrio premiered in Mexico today in 1950, and tells the story of a working class Joe who leads a double life. By day he's a kindly wage earner, but at night he dons zoot suit and cape—yes, cape—to become a thief and gangster. He's in love with a girl from his neighborhood, but keeping his second identity secret becomes increasingly harder as he bungles his way from caper to caper. You've see this story before, but probably not set in 1950s Mexico, and not with Germán Valdés, who was a rare comedic talent in the spastic mode of Jerry Lewis or Bob Hope. Silvia Pinal as his love interest is just the right mix of sweet and sassy. Add a bit of singing and some sexy nightclub dance numbers and you've got yourself a winner. The potential bad news is that there's no English language or subtitled version, as far as we know, but you've all learned Spanish by now, right? ¿No? Mas vale tarde que nunca, gabachos. Mexico
, El rey del barrio
, Ernesto Garcia Cabral
, Germán Valdés
, Tin Tan
, Silvia Pinal
, poster art
, movie review
The headlines that mattered yesteryear.
1962—Powers Is Traded for Abel
Captured American spy pilot Gary Powers, who had been shot down over the Soviet Union in May 1960 while flying a U-2 high-altitude jet, is exchanged for captured Soviet spy Rudolf Abel, who had been arrested in New York City in 1957.
1960—Woodward Gets First Star on Walk of Fame
Actress Joanne Woodward receives the first star on the Hollywood Walk of Fame, the Los Angeles sidewalk at Hollywood Boulevard and Vine Street that serves as an outdoor entertainment museum. Woodward was one of 1,558 honorees chosen by the Hollywood Chamber of Commerce in 1958, when the proposal to build the sidewalk was approved. Today the sidewalk contains more than 2,300 stars.
1971—Paige Enters Baseball Hall of Fame
Satchel Paige becomes the first player from America's Negro Baseball League to be voted into the Major League Baseball Hall of Fame in Cooperstown, New York. Paige, who was a pitcher, played for numerous Negro League teams, had brief stints in Cuba, Mexico, Puerto Rico, and the Major Leagues, before finally retiring in his mid-fifties.
1969—Allende Meteorite Falls in Mexico
The Allende Meteorite, the largest object of its type ever found, falls in the Mexican state of Chihuahua. The original stone, traveling at more than ten miles per second and leaving a brilliant streak across the sky, is believed to have been approximately the size of an automobile. But by the time it hit the Earth it had broken into hundreds of fragments.
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