Ice is nice, but harder than water.
British skater and actress Belita, who was born Maria Belita Jepson-Turner, frolics in the pool at the Town House Hotel in Los Angeles for a cover of Life that hit newsstands today in 1945. We've shown you this pool before. A window from a swanky hotel bar known as the Zebra Room provided a view through one wall, which meant patrons could watch swimmers while enjoying cocktails. The hotel put together a group of women called Aqua Maidens who performed swim shows, but Belita was not a Maiden. She was already famous for skating in the 1936 Olympics (though she had finished only sixteenth), and had established a Hollywood career with 1943's Silver Skates and 1944's Lady, Let's Dance. She would also make 1946's Suspense, which was unique for combining skating with film noir. In addition to being an ace skater Belita was an accomplished dancer, and the Life photos show her demonstrating her underwater ballet skills. She even wears a tutu in a couple of shots. Interestingly, Picture Post, a British Life-like magazine that was considered imitative, had already featured Belita on its cover, also at the Town House, two months earlier on June 16, 1945. Doubtless both sets of photos were from them same session. So in this case Life was the imitator.
Belita wasn't the most famous ice skater in Hollywood during the 1940s—Sonja Henie was a huge star, and Vera Ralston was probably better known as well. That may be one reason why Belita managed only eight or nine films before moving on to other pursuits. She eventually retired to the village of Montpeyroux, France, where she died in 2005 at age eighty-two. But the photos below are eternal.
, Los Angeles
, Town House Hotel
, Life Magazine
, Picture Post
, Lady Let's Dance
, Silver Skates
, Gladys Jepson-Turner
, Sonja Henie
, Vera Ralston
, film noir
Lady, my flag may be down, but you're making my pole go up.
Originally published in 1948 by E. P. Dutton & Co. as My Flag is Down: The Diary of a New York Taxi Driver, this 1949 Bantam paperback titled simply My Flag Is Down tells the story a New York taxi driver and his nocturnal passengers. We gather the author James Maresca was a real cabbie who kept a diary for seven years before converting it into a novel, and what he ended up with is a jargonized and loosely structured log of socialites, deviants, unhappy couples, strippers, and hustlers all behaving as though the cab is either a confessional or a motel room. The excellent cover art is by Casey Jones, and an earlier Bantam cover from the year previous, with the cabbie looking considerably less thrilled with the action in his back seat, appears below.
She isn't even remotely done with you.
Way back in 2010 we shared a promo poster for Joshû 701-gô: Sasori, aka Female Convict 701: Scorpion, as part of a collection of promos from the entire Female Prisoner tetrology. If you click over to that group you'll see it right on top. The movie opened today in 1972 with Meiko Kaji in the lead as the iconic character Nami Matsushima, aka Matsu the Scorpion, and the posters above are the second and third we have for this fun movie. If you haven't seen it but appreciate a little Japanese style cinematic mayhem, we recommend you check it out.
Sometimes staying after school isn't a punishment.
Above is a poster for Onna kyōshi: Shiseikatsu, aka Female Teacher: Private Life, a Nikkatsu roman porno flick that starred Ayako Ichikawa and Hitomi Kozue in the story of an obsessive affair between teacher and student. Interesting fact about this movie: Nikkatsu staged a contest for roman porno scripts and Onna kyōshi resulted from the winning entry, submitted by Mari Abe, who benefitted screenwriting credit, a cash prize, and a college scholarship. Thanks to her stroke of genius Nikkatsu was able to milk the Onna kyōshi concept for a sequel, followed by an eight film series. Just goes to show how mainstream these racy movies were. Of course, Onna kyōshi explores scenarios that would be considered criminal today. In fact, there's debate in 2016 whether teachers should be allowed to have private lives at all—i.e. whether they should be role models both in and out of school, and if they fail whether their actions are fair game for judgment and discipline. Ichikawa and Kozue are ready to judged and disciplined below. Onna kyōshi: Shiseikatsu premiered in Japan today in 1973.
, Onna kyōshi: Shiseikatsu
, Female Teacher: Private Life
, Ayako Ichikawa
, Hitomi Kozue
, roman porno
, poster art
Men's magazine explores the wide world of warm female bodies.
True Adventures may be one of the least adventurous mens magazines we've ever come across. While there is some action presented, mostly the focus in this August 1963 issue is on skin. From France's nudist mecca Île du Levant to the world's wildest bar in Tahiti to the "Belles of Baja" and stops in Greece and Peru the magazine endeavors to combine globe-trotting with just plain globes. It even offers up a feature on Alaskan eskimos—their term not ours—that features that old favorite of b-rate fiction: the girl who strips naked in order to share her body heat with a freezing man. All the tales in this magazine are entertaining and there's also very nice art by Basil Gogos and others. You'll find about thirty scans below. While you're enjoying those we're going to try to convince the Pulp Intl. girlfriends we're freezing.
, Île du Levant
, True Adventures
, Basil Gogos
, Walter Richards
, magazine art
This next drink is going right to his head.
Above, a cover for Un Cinzano pour l'ange noir, aka A Cinzano for the Black Angel, written by Frédéric Dard in 1953 for Éditions de la Pensée Moderne's collection Les confessions de l'ange noir. The series comprised four books, with this one being the last. Plotwise, the Black Angel gets involved with an heiress who is intent on robbing her industrialist father's vault, which is presumably filled with riches. He does actually get hit over the head with a bottle of Cinzano, which makes for a hell of a hangover. You may not know Frédéric Dard, but he was one of France's most successful authors, publishing more than 300 novels and selling 250 million copies. 173 of those books starred his signature creation Detective Superintendent Antoine San-Antonio. The above novel is not considered one of his best, but when you write books faster than Taco Bell churns out crunchy cheese core burritos there will be a few duds. The cover art is by the always reliable Jef de Wulf.
You know that whole forbidden fruit concept? I've never agreed with it.
Above, a nice shot of blaxploitation star Marilyn Joi, aka Tracy King, who appeared in notable efforts such as Black Samurai and the unforgettable Ilsa, Harem Keeper of the Oil Sheiks, but is probably best known as Cleopatra Schwartz from the mainstream comedy Kentucky Fried Movie. This photo appeared on the cover of Players magazine in 1980.
Tate gives chase in an international fortune hunting comedy about a missing chair.
In ¿Las cual de 13?, aka 12 + 1, aka Twelve Plus One, an Italian barber played by Vittorio Gassman inherits thirteen chairs and, deeming them useless, sells them to a London antique shop. He later discovers one of the chairs contains a fortune, but when he returns to the shop he's told they've all been sold. So he offers the antique shop employee Sharon Tate half of the fortune to help him track down the chairs, which of course have scattered to the four winds. Their search takes them to Paris, Rome, and beyond, in 1960s screwball fashion with its expected pratfalls, mix-ups, and sticky situations. Gassman and Tate do reasonable jobs with the goofy script that's been made of Soviet authors Ilf and Petrov's satirical source novel, and the film is boosted by appearances from Vittorio De Sica, Mylène Demongeot, Terry-Thomas, and Orson Welles. This was an Italian production, but the poster above was painted for the film's Spanish run by Carlos Escobar, who signed his work “Esc.” This is the best we've ever seen from a very good artist. Since the movie didn't premiere in Italy until after Tate had been slain this month in 1969, and didn't reach Spain until mid-1970, the poster very likely was painted post-murder, which means Escobar probably was thinking of how to best portray someone who'd become a tragic figure. We suspect he put special effort into his work as a tribute, and if so, a fitting tribute it was.
, ¿Las cual de 13?
, Twelve Plus One
, 12 + 1
, Sharon Tate
, Vittorio Gassman
, Vittorio De Sica
, Mylène Demongeot
, Orson Welles
, Carlos Escobar
, poster art
, movie review
Thank you—it's solid black walnut with a clear finish and a rubber recoil pad.
The Lady from L.U.S.T. series, of which Kiss My Assassin is one of eighteen entries, featured the character Eve Drum, codenamed Oh Oh Sex, as an operative for the League of Undercover Spies and Terrorists. Apparently spies and terrorists realized they weren't so different after all, and if they can come together there's hope for the rest of us. Drum was expert at safe cracking, knifework, shooting, and martial arts, but most of all sex, the most effective tool in her box.
We think she's one of the better James Bond inspired characters, but really there are so many it's hard to choose. In this adventure she thwarts neo-nazis trying to take over the world. We might be able to use her help in 2016, the way things are going. Kiss My Assassin first appeared in 1968 with Paul Rader cover art (just to the right, and notice the change of entry number), then above in 1973 with cover work by unknown.
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