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Pulp International -
Vintage Pulp Mar 28 2024
HIGH POWERED RIFLES
Even though it didn't quite hit the target 100 Rifles gave moviegoers its best shot

​​​​​The western adventure 100 Rifles, which premiered in the U.S. today in 1969 and starred Burt Reynolds, Jim Brown, and Raquel Welch, is a shot that went wide of the mark. But even if it could have been better, it has very nice promo art. Above you see the U.S. poster and a few production images to go along with the ones we shared before. See those and read a bit about the film here

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Hollywoodland Mar 27 2024
THE WEEKLY THAT WAS
Over a long enough timeline all fame is fleeting.


Let's see how many names you recognize from this issue of Movie Weekly published over a century ago, this month in 1922. Most of you, we think, will remember Lillian Gish. But how about her sister Dorothy? You'll possibly remember Norma Talmadge? But how about Elsie Ferguson? Helen Chadwick? Fleeting are the works of humans, and especially fleeting are the works of Hollywood. But it's fun to look back, especially in a magazine as well put together as Movie Weekly. Multiple scans below.

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Vintage Pulp Mar 26 2024
CAN'T STOP THE MUSIC
Thank you very much. Next I'd like to massacre a song by Joan Baez.

Since we took a look at Barbara Walton's cover work recently we thought we'd circle back to her with an effort for John D. MacDonald's I Could Go On Singing, originally published in 1963 with this Robert Hale Ltd. hardback coming in ’64. This is very different, very minimalist work from Walton compared to what we showed you last time, but it just demonstrates her broad range. It's different work for pop fiction icon MacDonald too, as it was a novelization for a 1963 movie of the same name. Hey, whatever pays the bills. We didn't read it, but we gather that he managed to put his unique stamp on it. 

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Vintage Pulp Mar 25 2024
HER EYE ON YOU
In the land of the blind the one-eyed woman is queen.


We've done a lot on Sandro Symeoni, which means that just for the sake of completeness we can't overlook these. They're his Italian posters for the Christina Lindberg grindhouse classic Thriller, which was originally made in Sweden as Thriller - en grym film, and in English speaking countries was known as Thriller: A Cruel Picture and They Call Her One Eye. We've already talked about it, and its star.
 
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Vintage Pulp Mar 23 2024
JOAN THE CLUB
A cover collection to help Bofill your day.


Below: a small set from Spanish artist Joan Beltrán Bofill, who signed his work as “Noiquet,” here working for a pair of Rotterdam based publishers illustrating novels by Edward Multon, who was an alter ego of Dutch author Herman Nicolaas van der Voort. These are from 1967 and 1968.

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Vintage Pulp Mar 22 2024
BEYOND A REASONABLE DEBT
This ain't Happy Days and he ain't the Fonz.


Since reading William R. Cox's 1961 thriller Death Comes Early we'd been looking around for more from him and located 1958's Hell To Pay, which you see above with a Robert Schulz cover. Cox writes in that same cool style we noted before, as he combines two crime sub-genres—organized crime, and juvenile delinquency. His main character Tom Kincaid is a successful NYC gambler who gets swept up in a mafia takeover centered around crooked boxing. Kincaid is thought by a kingpin named Mosski to be working for an upstart mob, which essentially makes this a find-the-real-killer novel in the sense that if Kincaid can't prove he isn't setting up Mosski his ass is grass. The book has in abundance generation gap musings, shady mingling between criminals and cops, poker described in hand-by-hand detail, and a lot of shooting and/or brutal beatings. Cox provides several good secondary characters, particularly Kincaid's been-around-the-block girlfriend Jean Harper. She's flawed, but then so is everyone here. There's a sequel to Hell To Pay, and we're onto that already.
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Femmes Fatales Mar 22 2024
READY FOR WHATEVER
Do you prefer cold steel or hot lead? The choice is entirely yours.


So that no confusion arises, Junko Fuji, who you see in this photo, is known today as Sumiko Fuji. But back during the ’60s and ’70s she acted as Junko, and since we're a vintage site that's what we've always called her. As you can see, she's added a razor sharp wakizashi to the pistol we saw her brandishing in a similar photo a few years ago. We found this shot in a 1971 issue of the Japanese magazine Modern Romance, and it was probably originally made for her 1968 yakuza actioner Hibotan bakuto—aka Red Peony Gambler—or for one of its sequels. By the way, Modern Romance? This photo just screams romance, right? 

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Hollywoodland Mar 21 2024
ON BENDED KNEES
Strange ideas from the minds and lenses of mid-century promo photographers.
A while back we shared a promo photo of Glenn Ford and Gloria Grahame from 1953's The Big Heat that was meant to imply oral sex (it absolutely was, and you can see for yourself here). We commented on its weirdness, and noted that an actress would probably not be asked or made to pose that way today. The shot got us thinking about whether there were other kneeling promo shots from the mid-century era, and above you see two others from The Big Heat.
 
Below we have more such shots, and while none are as jarring as that previous promo, they're all interesting. We assumed there would be few if any featuring kneeling males, but we found a couple. Even so, there are probably scores more kneeling actresses that we missed. While many of shots took the form they did to highlight the criminal/victim themes in their parent films, you still have to wonder what else—consciously or not—was in the various photograhers' minds. Anyway, just some food for thought this lovely Thursday. Ready, set discuss!
Rod Taylor and Luciana Pauluzzi swap subordinate positions for 1967's Chuka.

Edmund O'Brien goes for the time honored hair grab on Marla English for 1954's Shield for Murder.

Marilyn Monroe swoons as Richard Widmark snarls for Don't Bother To Knock, 1952.

Inger Stevens and Terry Ann Ross for Cry Terror, an adaptation of a novel we talked about a few years ago.

Kim Hunter soothes an overheated Marlon Brando in a promo for 1951's A Streetcar Named Desire.

George Raft menaces Marlene Dietrich in the 1941 comedy Manpower.

As promos go, these actually make sense. They show three unidentified models mesmerized by vampire Christopher Lee for 1970's Taste the Blood of Dracula.

Glenn Ford is at it again, this time looming over Rita Hayworth for the 1946 classic Gilda.
 
Aldo Ray and Barbara Nichols for 1958's The Naked and the Dead.

This one shows less domination and more protectiveness, as Humphrey Bogart prepares to defend Ida Lupino for High Sierra, 1941.

Humphrey once more. Here he's with Lizabeth Scott for Dead Reckoning, 1947.

This shot shows Brazilian actress Fiorella Mari with an actor we can't identify in a movie we also can't identify.

Shelly Winters and Jack Palance climb the highest mountain together for I Died a Thousand Times, 1955.

As we said, we didn't find as many examples of kneeling men, but we found this gem—Cappucine makes a seat of director Blake Edwards on the set of The Pink Panther in 1963. Does this count, though? While Edwards is subordinate, he isn't kneeling and it really isn’t a legit promo.

And lastly, in a curious example, Hugo Haas seems to tell Cleo Moore to stay in a shot made for 1953's One Girl's Confession

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Sex Files Mar 20 2024
GETTING MALAYED
Complete satisfaction resides within these pages.


Above: the front and rear covers of two paperbacks from South Asia with interesting color illustrations. The first is from Malaysia, published in 1964, and the second is from Singapore, published in 1966. These aren't fiction. They're actually both “educational” books about anatomy and sex, but there's nothing explicit inside unless you count medical drawings. We thought the comic style art made these appropriate to share. In any case, they're certainly eye-catching. Do you happen to remember some of the other items we've shared from Malaysia? It was a long time ago. Check here, here, and here for a reminder. You'll be amazed. 

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Intl. Notebook Mar 19 2024
PORTU-PULP AND PORTU-GALS
Our visit to Lisbon swung between extremes.


Some of you may be wondering whether we actually picked up anything for Pulp Intl. during our ballyhooed trip to Lisbon. We did, we just haven't had to time to sort and scan it yet. But above you see a snapshot of some items we bought at the city's twice-weekly Feria de Ladra, which apparently has been going on since 1272 (not a typo), and these days takes place at the Campo de Santa Clara, behind the important monastery of São Vicente de Fora.
 
The market is a marvel. While it isn't anything close to Le Marché aux Puces de Saint-Ouen in Paris, it remains one of the better troves of vintage matter you'll find in Europe, and as a bonus is popular with beautiful women and supports a satellite industry of interesting bars and eateries. Among the items we found were old issues of the pop culture magazine Plateia, crime comics such as Secreto Agente Z33, and a copy of the movie mag Colecção Cinema. We'll be scanning and uploading those throughout the year, and they'll be nice reminders of a good trip. Well, mostly good.

When the Pulp Intl. girlfriends left, things went a bit haywire. We'll share only one episode: the panic inducing disappearance of one of our group, who had been done in by Lisbon's numerous hills as we searched for a music bar one night, and had headed home to rest with his left arm tingling (which he attributed to a pulled shoulder muscle he'd suffered after taking a spill on what we nicknamed the “heroin stairs”). We stayed at the bar and when we returned hours later he was nowhere to be seen. Frantic calls to his phone produced nothing. Calls to the hospitals ditto. Uh oh.
 
We organized ourselves for a 4 a.m. search of the deserted barrio where the bar was. Our working theory: coronary, collapsed, rolled into a ditch, died. That hadn't happened. What had happened was he walked down the hills as planned, was near the apartment we'd rented, but got tractor beamed into a strip club where he spent 1,300 euros on lap dances. Under the circumstances, he'd heard none of our calls. Said he: “I felt better by the time I was passing the club.” Funny episode, but we think he's due for a medical check-up. The week that was, Pulp Intl. style.

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Next Page
History Rewind
The headlines that mattered yesteryear.
March 28
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
March 27
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
March 26
1997—Heaven's Gate Cult Members Found Dead
In San Diego, thirty-nine members of a cult called Heaven's Gate are found dead after committing suicide in the belief that a UFO hidden in tail of the Hale-Bopp comet was a signal that it was time to leave Earth for a higher plane of existence. The cult members killed themselves by ingesting pudding and applesauce laced with poison.
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