|The Naked City||Oct 25 2016|
Often, early true crime magazines aren't very useful for sharing online due to their tendency to short-shrift the art, but Police Detective is a very visual exception, well worth uploading. Above is the cover of an issue from 1956, and below are assorted scans of the interior photo-illustrations, all eye-catching. Of the stories, probably the most interesting deals with hitchhiking women who are in reality brutal thieves. The magazine makes this sound like an epidemic but we seriously doubt it was ever a problem. According to the editors, men who picked up these highway hooligans were hit over the head with wrenches or tire irons, robbed, stripped down to their size 38 tightie whities and left unconscious or dead in a ditch while the thieves found the nearest pawn shop to sell off whatever they'd acquired. The description of the hapless men's heads being “crushed like eggshells,” according to the magazine, creates a disconcerting visual image, especially after that whole Sunday night Walking Dead baseball bat incident the entire internet is buzzing over. Not a good way to go. We have about thirty images below and many more true crime magazines inside the site.
|Vintage Pulp||Oct 24 2016|
This cover for Mickey Spillane's The Deep comes from the UK imprint Corgi Books, which gave Spillane's entire catalog similar minimalist—and uncredited—treatment. Spillane had a couple of gaps in his publishing career, and this book came in 1961 after a nine year break following his indoctrination into the Jehovah's Witnesses in 1952. It has a main character named Deep and he's on a revenge spree, so there's the title for you. Though the cover isn't credited we suspect it was painted by Renato Fratini. It looks like his work, and he did a Spillane series for Corgi during the early 1960s.
|Vintage Pulp||Oct 22 2016|
|Reader Pulp||Oct 21 2016|
Pulp Intl. friend Jacques Puiseux staged a gallery show earlier this autumn and e-mailed over a few of his pulp influenced pieces. The exhibition was in Aup, a small town in the French Provence region, and Jacques' trompe l’œil pin-ups mimicking vinyl records managed to draw the attention of local feminists, female and male, who staged a protest concerning objectification of the female body. Apparently, they compared his work to the famed Pirelli calendars and said Jacques was almost as bad as Donald Trump.
Jacques, we think, would agree. He's a guy who thinks women are beautiful and that interest comes out in his art, as it has for countless other artists and always will. He also likes pulp, et voilà—what you get is what he's done above and below. We really like these, and they fit nicely into our conception of modern pulp. You can see a few more Puiseux pulp stylings at this link, and feel free to check out more of his record-like creations at the tumblr page Vinyles Passion.
|Vintage Pulp||Oct 20 2016|
Gary Lovisi's guide to mid-century paperback cover art Dames, Dolls and Delinquents: A Collector's Guide to Sexy Pulp Fiction attributes this cover to George Gross but many online sources say it's the work of Howell Dodd. Though the internet is incredibly useful for replicating errors, we think the onliners are right this time. While the femme fatale here has some Gross-like elements to her, she has the fiery red hair that was a Dodd trademark. We think we even know her face. Doesn't it belong to legendary red-headed actress Ann Sheridan? Yup, it's her—right down to the little bump in her classic nose. And he used her more than once, we think. A basically identical face appears in several other pieces of his. We're taking full credit for this discovery. Unless of course we're wrong, in which case we deny making any Sheridan related statements. Hey, if it works for presidential candidates it can work for us, right?
|Vintage Pulp||Oct 20 2016|
Above, a colorful poster for Fûten Rôjin nikki, aka Diary of a Mad Old Man, with Sô Yamamura as a man recovering from a stroke and Ayako Wakao as the occasionally towel-clad young daughter-in-law whose presence inflames his libido. Far better and more serious than it sounds. The movie premiered in Japan today in 1962. We have a couple more promo images below, and you can see a few more Wakao posters for a different movie here.
|Femmes Fatales||Oct 20 2016|
This really nice promo shot of a gyrating Ann-Margret was made to promote the film Bus Riley's Back in Town, about a sailor who returns from three years abroad to find that his love has married another man. Notice how she hints at untying that laced up top of hers. 1965 on this unique image.
|Vintage Pulp||Oct 19 2016|
Exposé for Men is a new tabloid for us, which is saying something, since we've posted about 350 inside Pulp Intl. You can pick your way through those at our tabloid index. Exposé was originally launched as Sensation by Skye Publishing of New York City. The rebranding came sometime in 1959. This issue, which was published this month in 1960, flogs similar themes as other tabloids, including the blaming of women for rape in an article by criminal specialist Robert Mines where he proclaims that “frequently it's not the perpetrator but the victim of a [sex] crime who is most responsible for it.”
|Vintage Pulp||Oct 18 2016|
The Maltese Falcon is considered by most scholars to be the first major film noir. It was also one of the best, with legendary talents John Huston, Humphrey Bogart, and Peter Lorre coming together to make magic. Mary Astor was excellent too. This must-see film premiered in the U.S. today in 1941, but the poster above—one you don't see often—was made for its run in Australia. Put this film in the queue if you haven't seen it. And if you have, well, watch it again.
|Intl. Notebook||Oct 18 2016|
Above is a shot of the nuclear detonation code-named Chama, which was part of Operation Dominic, a series of tests conducted in the South Pacific on remote Johnston Atoll, aka Kalama Atoll, with this blast occurring today in 1962. Have you been paying attention to what's going on with nuclear weapons and nuclear confrontation today? The Cold War never ended, and the recent tensions between the U.S. and Russia, centered around a looming proxy war in Syria, has brought the possibility of nuclear conflict closer than it has been at any time since the Cuban Missile Crisis. That isn't our analysis—that's the analysis of some of the foremost political historians and diplomacy experts in the world. Some Tuesday cheer for you.