Vintage Pulp | Apr 14 2021 |
She's overworked, underpaid, unappreciated, and has no backup plan. Also there's that whole curse thing.
Can a working girl find happiness à la Pretty Woman? That's the eternal question asked by (Maruhi) jorô seme jigoku, aka The Hell-Fated Courtesan. An Edo-era geisha-turned-prostitute played by Rie Nakagawa is believed by superstitious locals to be cursed because some of those who've had sex with her died. Her only sort-of-friend in this dark existence is a perverted artist, and her pimp is of course cruel and untrustworthy. But eventually she meets a puppeteer to whom she offers herself romantically only to be rebuffed. Surprised, she intones, “This is not an ordinary guy.” She's right. He refused her because he thinks he can only be turned on if a woman looks like one of his puppets, but when he finally samples some of that sweet Nakagawa he changes his mind about that and offers to take her with him to Osaka, where her problems and alleged curse will be behind her. Will she go? Will she be allowed to go? Will fate cut her a break? Pertinent questions all.
In 1973 Nikkatsu Studios' roman porno line had not yet jumped the shark, which means (Maruhi) jorô seme jigoku resembles a normal film in most ways. Its plot is basically linear, though it contains one framing segment; its sexual content is perverse, though not pointlessly misogynistic; and its humor generally works. In fact, there are some truly funny moments in this, such as when Nakagawa lets a carp suck her nipples. We won't even bother to describe what direction that scene goes. Later she slices off a dead man's finger and masturbates with it. Afterward she tells the finger that, though its former owner was a scoundrel and a snake, he will now go to heaven. That's some magical pussy. Maybe Nakagawa isn't cursed after all. Maybe she just embodies male insecurities and fears and they punish her as a result. And if that's true, maybe there is a Pretty Woman ending for her. But you never know. One character observes that a woman's heart is unpredictable and terrifying. (Maruhi) jorô seme jigoku tries to prove that adage true. It premiered in Japan today in 1973