| Vintage Pulp | Sep 24 2022 |
I know—a magenta coat and white beret are bold choices for a clandestine meeting. But just look at the results.
Deep Is the Pit, for which you see Barye Phillips cover art above, is the story of a thief and killer named Marty Lee, who, like Stringer Bell of The Wire, tries to plow his ill-gotten gains into legitimate business. In this case, he swings a deal to buy the decaying old Stannard Hotel in San Francisco, which he turns into one of the hot spots of the West Coast by installing several themed bars and nightclubs. Since all his crimes were committed under a well established false identity and in disguise, he feels pretty safe, even when hostelry success makes him part of Frisco's highly scrutinized glitterati. There's only one snag—his former girlfriend from his criminal days is still around. But because she wants to make it big as a singer and actress, she has no reason to cross a guy who now owns some of the best clubs in California. Her knowledge of his past is neutralized by her ambition, and that's the only reason he hasn't killed her. Well, not the only reason. She's also great in bed.
He eventually jilts her for the rich daughter of the Stannard clan, Karen, and it's here that we see Marty's true colors. His bride is a virgin, and he pretty much ruins sex for her from the word go by ravaging her like an animal, which is the way he's always done it. Her pain and humiliation don't matter to him. He thinks her growing reluctance and eventual refusal to have sex with him is her fault. Even though he understands on some level that she needs gentleness and affection, he can only take what he wants, at whatever time and as violently as his mood dictates. He inevitably turns back to his old girlfriend, carrying on an affair while his upper crust marriage appears on the surface to be a happy one. Yet at the same time, he's very attached to his wife. It isn't love. It's something more akin to bedazzlement.
H. Vernor Dixon is one of those writers who lacks a strong or notable style, yet still puts a story across entertainingly. We were never tempted to skip even a paragraph. It's at about the two-thirds point that Marty's problems arrive in a bunch. His hotel is robbed by some of the subordinates he trained in the art of theft, an underworld figure with whom he's had dealings starts hanging around the property, and his old girlfriend suddenly wants more than just a singing career—or else. He can't do much about the robbers or the mobster, but he can handle his old flame. If he gets rid of her, his other problems will likely sort themselves out. But in these books supposedly disposable women can have tricks of their own up their sleeves. Deep Is the Pit ultimately hinges on Marty's desperate attempt to murder his mistress, which Dixon manages to describe tautly and with good twists. The pit is deep indeed, but for readers falling in is a good time.
H. Vernor Dixon is one of those writers who lacks a strong or notable style, yet still puts a story across entertainingly. We were never tempted to skip even a paragraph. It's at about the two-thirds point that Marty's problems arrive in a bunch. His hotel is robbed by some of the subordinates he trained in the art of theft, an underworld figure with whom he's had dealings starts hanging around the property, and his old girlfriend suddenly wants more than just a singing career—or else. He can't do much about the robbers or the mobster, but he can handle his old flame. If he gets rid of her, his other problems will likely sort themselves out. But in these books supposedly disposable women can have tricks of their own up their sleeves. Deep Is the Pit ultimately hinges on Marty's desperate attempt to murder his mistress, which Dixon manages to describe tautly and with good twists. The pit is deep indeed, but for readers falling in is a good time.
San FranciscoSanta BarbaraFawcett PublicationsGold Medal BooksH. Vernor DixonBarye Phillipscover artliterature
