|Vintage Pulp||Nov 13 2013|
We’ve seen nearly every Humphrey Bogart movie but had been warned away from Passage to Marseille. We finally watched it last night and the haters were right—it’s substantially below standard. You have Casablanca director Michael Curtiz at the helm and Casablanca alumni Bogart, Claude Rains, Peter Lorre, and Sydney Greenstreet in front of the camera, along with the lovely Michèle Morgan in the female lead, but all their combined efforts cannot elevate this clumsily written propaganda piece. Curtiz is not to blame—his direction is functional and James Wong Howe photographs everything beautifully. Likewise, Bogart manages his role adequately, Lorre and his emotive brow are put to ample use, and Rains dons an eyepatch and permafrown to bring some gravity to matters.